Posts tagged ‘Henry Farrer’

August 4, 2026

Behind the Scenes of the Year of the Dealer 7 – Dean Tuck at the V&A South Kensington

Our next in the series ‘Behind the Scenes of the Year of the Dealer’ returns to the V&A Museum and the film that focuses on the dealer Dean Tuck – you can see the final version of the film HERE.

The focus on a dealer such as Dean Tuck was unusual for the Year of the Dealer project films primarily because Tuck’s acquisition of the Hans Holbein the Younger portrait miniature of Anne of Cleves predated the establishment of the V&A Museum in the early 1850s – Tuck acquired the miniature in 1826, as the YoD film indicates. Tuck was one of only two dealers featured in all 50 films whose sale of objects predate 1850 – the other is Thomas Walesby, who bought and sold the famous four-poster bed from Stowe House in 1848 and features in Lady Lever Art Gallery films (you can see the Walesby film HERE).

However, we wanted to highlight that ‘antique dealers’ and ‘antique dealing’ has a history that predates the establishment of ‘decorative art’ museums in the 1850s – plus we just loved the portrait miniature that Dean Tuck bought and sold!

Portrait Miniature of Anne of Cleves by Hans Holbein the Younger, 1539. Image, The Year of the Dealer Project and the V&A Museum.

As with all the other films in the YoD series we had many more images that we might have included in the Dean Tuck film – we had a few images of ‘antiquarian’ interiors for example. This one (below), a beautiful pen and ink drawing of the library at Bromwell House, Brislington, near Bristol, c.1825, which shows the kind of interiors that were fashionable with antiquarian collectors of the type that Dean Tuck would have supplied in the 1820s and 1830s.

W.H. Bartlett, The Library, Bromwell House, Bristol, c.1825, pen and ink drawing. Image copyright Bristol’s Museums & Galleries.

We eventually settled on the E.W. Cooke, The Antiquary’s Cell (1835), primarily because the painting is also in the collections of the V&A Museum. One other thing we could not find space to mention in the film is that the 17th century chair in the middle of Cooke’s painting is believed to have been the chair sold to Cooke by the antique dealer’s Edward and George Hull of Wardour Street, London, in 1835 – for more on Hull see my Biographical Dictionary and Nineteenth Century Antique and Curiosity Dealers (free, online at White Rose Research Online HERE).

E.W. Cooke, The Antiquary’s Cell, oil on canvas, 1835. FA.42 [O]. Image copyright V&A Museum.

There were other aspects of Dean Tuck’s life as a dealer in the 1820s and 1830s that we did not have space to include. For example, Tuck had a close business relationship with the famous art and antiques dealer Henry Farrer (1798-1866); they bought and sold lots of antiques together. Farrer was also Executor in Dean Tuck’s Last Will and Testament in 1838.

The other reason we wanted to include Dean Tuck in the V&A films is that his wife, Charlotte Tuck, continued his antique dealing business after his death and one of the themes in the Year of the Dealer films, as you will have noticed, is on women antique dealers and we wanted to highlight that this history also has a long genealogy.

Watch out next week for another ‘Behind the Scenes of the Year of the Dealer’.

Mark

December 2, 2018

SOLD! A Major Exhibition at The Bowes Museum

As some of the readers of the Antique Dealers Blog already know, for the last 18 months I’ve been very busy working as ‘guest curator’ on an exhibition called ‘SOLD!’ at The Bowes Museum based on over 10 years of research on the history of Antique Dealing in Britain – and we can now announce the forthcoming opening (on 26th January 2019) of the exhibition!  Here is the poster, with the stunning bronze by Antico of c.1490-1500, acquired by the V&A Museum through the dealer Horace Baxter in 1960, as the ‘poster boy’.

SOLD! Poster

SOLD!, which opens on 26th January 2019, brings together more than 40 world-class objects, from various museums, including the V&A, the British Museum, The Royal Armouries, Royal Collection, The Lady Lever Art Gallery and Temple Newsam, as well as objects from the collections at The Bowes Museum itself, and loans from private collections never seen in public before, to tell the ‘hidden histories’ of the objects with a focus on the history of antique dealing.  One of my PhD students (Simon Spier) is working as the project research assistant helping with the assembly of the recreation of an ‘old curiosity shop’ which will be part of the display and interpretation for SOLD! – you can follow Simon’s activities in the special Twitter feed we have developed – see  https://twitter.com/Bowes_GBAS

Besides ‘Antico’ from the V&A Museum…(which I have been calling a ‘Horace Baxter’ – indeed, I have been calling all the objects in the exhibition by the name of the dealer who sold them which has been very confusing for many museum curators! – so the ‘Antico’ is a ‘Horace Baxter’; we also have a ‘Henry Farrer’ (a very rare 16th century Venetian glass goblet – sold by Farrer to the South Kensington Museum (now the V&A Museum) in 1854 for £30.0.0) – you can just see the edge of the green glass goblet to the right of the ‘Baxter’ in the poster above; and a ‘David Tremayne’ – the wonderful 18th century bronze mask, sold to The Bowes Museum by David Tremayne in 1966 – you can just the bronze mask to the left of the ‘Baxter’ (sorry, the ‘Antico’) in the poster.

We have a wonderful range of objects in SOLD!, including this amazing demilance suit of armour of c.1620 from the Royal Armouries, (Tower Armouries Collection in London), which was acquired via the well-known specialist dealer in ‘ancient armour’ Samuel & Henry Pratt from their ‘The Gothic Hall’ just off New Bond Street in 1840.

S. & H. Pratt – (1840) – Demilance suit of armour, c.1620. Photograph courtesy of The Royal Armouries.

As part of SOLD! we have objects that passed through the hands of major 19th century dealers such as E.H. Baldock, John Webb and George Durlacher; and in the 20th century, major dealers such as Frank Partridge, M. Harris & Sons, H. Blairman & Sons, Mallett & Son, Wartski, Hotspur, S.J. Phillips, and Bluett & Son…plus many more besides.

One of the major dealers we have focused on is Phillips of Hitchin; mainly because we have the Phillips of Hitchin archives at the Brotherton Library Special Collections at the University of Leeds. And here’s a very rare photograph of the Phillips of Hitchin shop in c.1905, with Frederick W. Phillips (centre) the chap that established the firm in 1882, and Hugh Phillips (his brother) to the right (we don’t know who the third person is) – the photograph was taken just a few years before Frederick Phillips bought the ‘Gothic Cupboard’ and sold it to Robert Mond (see below).

F.W. Phillips (Phillips of Hitchin) shop, Hitchin, c.1905. Digital copy of glass-plate negative courtesy of the V&A Museum.

Jerome Phillips, the grandson of Frederick Phillips, kindly identified the people in the photograph – and Kate Hay at the V&A Museum and her volunteers generously made a digital copy from the original glass-plate negative (part of the Phillips of Hitchin material that is, at present, at the V&A stores).

There are also couple of objects from the V&A Museum in the exhibition that were sold by Phillips of Hitchin – this Gothic cupboard (known as ‘Prince Arthur’s Cupboard’ in the early 20th century when it was acquired by the V&A Museum) was sold by F.W. Phillips (Phillips of Hitchin) to the well-known collector Robert Mond in 1912 for £220.0.0. – Mond donated it to the V&A in the same year.

F.W. Phillips (Phillips of Hitchin) ‘Gothic Cupboard’ c.1500-1600. Sold by F.W. Phillips in 1912. Photograph courtesy of the V&A Museum.

 

The other Phillips of Hitchin object in the exhibition is the famous ‘Medal Cabinet’ by the 18th century cabinetmaker William Vile (c.1700-1767), of c.1760, which was sold by PoH to the V&A in 1963 for £10,000.

Phillips of Hitchin (1963). George III mahogany medal cabinet, c.1760. Photograph courtesy of the V&A Museum.

 

The exhibition will also have a wide range of exceptionally rare antique dealer archives, and a range of dealer ephemera, to bring to life the history of the antique trade.  But there are also some spectacularly rare objects in SOLD! – indeed, one of the key premises of the exhibition is to show some very familiar, world-class museum objects, but to ‘reframe’ them through the narrative of the art market; and to bring the previously marginalized story of antique dealing more directly, and more explicitly, into the spaces of the public museum – and to provoke us all (museum curators, academics, and the public) to reflect on why the art market has often been suppressed and dislocated from the narratives of the history of art that the museum presents us with.

We hope that the ‘SOLD!’ exhibition will be a catalyst for increased public engagement with these previously marginalized stories.

I’ll be updating the blog with regular progress reports on SOLD! as we move towards the opening of the exhibition on 26th January 2019 – I do hope that we will see as many people who can make it to SOLD! at Bowes Museum and I hope to say ‘hello’ if I am about at the exhibition.

Mark

 

Home Subjects

a working group dedicated to the display of art in the private interior, c. 1715-1914

The Period Room: Museum, Material, Experience

An International Conference hosted by The Bowes Museum and The University of Leeds

H. Blairman & Sons Ltd

A research project investigating the history of the antiques trade in Britain in the 19th & 20th centuries

Museum Studies Now?

'Museum Studies Now?' is an event which aims to discuss and debate museum and heritage studies education provision.

The Burlington Magazine Index Blog

art writing * art works * art market

East India Company at Home, 1757-1857

A research project investigating the history of the antiques trade in Britain in the 19th & 20th centuries