Posts tagged ‘Year of the Dealer’

July 27, 2026

Behind the Scenes of the Year of the Dealer 6 – Phillips of Hitchin at Temple Newsam

Here is another blog post in our series of ‘Behind the scenes of the Year of the Dealer’ – this time some further background information on the making of the film focused on the antique dealers Phillips of Hitchin in the digital trail at Temple Newsam. Here’s the finished film on the YoD website.

Phillips of Hitchin is featured in three of the Year of the Dealer films – this one at Temple Newsam, plus one film at Lady Lever Art Gallery and one film at the V&A (we will highlight the other films in later blog posts in the series of ‘Behind the Scenes of the Year of the Dealer’). We were not short of photographs for the Phillips of Hitchin films as we have a very large number of photographs of Phillips’ galleries at The Manor House in Hitchin thanks to Jerome Phillips who so generously donated the archive of the business to the Brotherton Library at the University of Leeds in 2015.

However, we needed to be careful about the number of images we included in the final film in order to ensure that the images we did include had sufficient time on screen for the viewers. There were literally scores of images that we could have used, but we hope the ones that made the final cut are interesting enough. Anyway, to whet your appetite for the range of images in the archive (which, just to remind you, you can view by appointment at the Brotherton Library at the University of Leeds), here’s a few photographs that did not make the final version of the Phillips of Hitchin Temple Newsam film. Below is a photograph of the entrance hall at the Manor House taken in c.1964, just a few years after the sale of the chair featured in the film to Temple Newsam in 1960.

Phillips of Hitchin, entrance hall at The Manor House, Hitchin, c.1964. Image, Antique Dealer Research Project University of Leeds.

And here is another photograph (see below) of one of the interior showrooms at The Manor House also from the 1960s – this time an image of the ‘Tudor Hall’ (as it was called) in c.1964. [Thanks to our friend Chris Coles we have a fascinating update on the photograph – the Queen Anne suite of furniture at the front of the photograph was from Aldby Park, North Yorkshire – see Adam Calvert Bentley and Ardgowen Antiques]

Phillips of Hitchin, interior of the ‘Tudor Hall’ at The Manor House, Hitchin, c.1964. Image, Antique Dealer Research Project University of Leeds.

The ‘Tudor Hall’ did not really date from the 16th century, despite its appearance, but was constructed in the early 20th century as part of an expansion of the showrooms at The Manor House. In 1910, The Manor House had 50 rooms of antiques (rising to 80 rooms by the start of the First World War in 1914/15), including specific rooms devoted to the display and sale of ‘Oriental Porcelain’, ‘English Porcelain’, ‘English Pottery’, ‘Cottage Furniture’, ‘Domestic Metalwork’, ‘Oriental Rugs’, as well as rooms fitted out as ‘period rooms’ such as a ‘Queen Anne Parlour’, a ‘Georgian Parlour’, and ‘Georgian’ and ‘Hepplewhite’ bedrooms. It also had an ‘Armoury’ and rooms devoted to ‘French Furniture’ and ‘Textiles’ – so a full range of objects that keyed into major collecting and furnishing interests at the time. By the time that Phillips of Hitchin sold the chairs to the various museums in the 1960s they had become a much more specialised antique dealing business and were one of the leading dealers in antique English furniture.

As you will see in the Phillips of Hitchin film, the chair sold to Temple Newsam in 1960 was one of a set of 6 chairs that were sold by Phillips of Hitchin at the time. One was sold to the V&A, a pair were sold to the Metropolitan Museum of Art in New York and the remaining pair to the National Gallery of Victoria in Melbourne, Australia. One snippet of information about the image we used in the film showing the pair of chairs in the museum in Melbourne, Australia is that the person reflected in the mirror in the middle of the photograph is actually Jerome Phillip’s wife, Barbara!…..she very kindly sent us the photograph when she was on holiday with Jerome in Australia back in 2022.

Pair of 18th century chairs sold by Phillips of Hitchin to National Gallery of Victoria, Melbourne, Australia in the early1960s on display in 2022. Photograph courtesy of Barbara Phillips.

There will be more ‘Behind the Scenes of the Year of the Dealer’ next week, so do keep you eye of the blog.

Mark

July 20, 2026

Behind the Scenes of the Year of the Dealer 5 – John Bell of Aberdeen at The Bowes Museum

Here’s some more behind the scenes ‘gossip’ on the making of the Year of the Dealer films – this time the John Bell of Aberdeen film at The Bowes Museum – you can watch the final version of the film HERE. You can also read a little more about John Bell of Aberdeen in an earlier post on the research blog – ‘Antique Shops Then & Now‘.

One thing we were still working on in the early drafts for the John Bell film was how the avatars would look and sound – we eventually ended up with two avatars that we thought represented Mark and Mo relatively well in all five sets of films (see below – the final avatars with The Bowes Museum in the background).

Final avatars for the Year of the Dealer films. Image, Antique Dealer Research Project, University of Leeds.

A Big Reveal (for those that do not already know this of course) is that the Mark avatar voice is me of course (Mark); the Mo avatar voice is actually my lovely wife Mo! We had considered hiring other people (or indeed some professional actors) to be the voices of Mark and Mo but the work required was impossible to fit into a defined time period and needed to be spread over many months to accommodate various edits etc., so it was extremely difficult to cost it for an external supplier and very hard to work up a firm schedule.

One extra complication of this was that any edits and new lines of audio (of which there were many) had to be recorded in exactly the same environment and conditions to match in with the existing audio. We could not afford to record the audio in a Sound Studio – we actually recorded the audio at home in my then home office – or ‘bedroom 3’ as it was! This brought up many challenges – we had, for example, some very loud Wood Pigeons in the garden and often had to wait for sound breaks in their cooing before pressing ‘record’ on the audio recorders!

The early drafts of the visual material for the avatars that Patrick Bannon (our brilliant film-maker) worked on were often quite something! Here’s one of the early drafts of the Mark avatar (see below). We thought this looked a bit too cartoon-like (and a bit too young!).

First attempt at Marks’ avatar, Year of the Dealer films. Image, Antique Dealer Research Project, University of Leeds.

And here’s a similar early draft of the Mo avatar (see below) – which we also thought looked a bit too cartoon-like (we were also not sure why Mo’s early avatars were stuck in a forest either!)

First attempt at Mo’s avatar, Year of the Dealer films. Image, Antique Dealer Research Project, University of Leeds.

Patrick sent us various other ideas before we eventually settled on the final versions of the avatars – here’s a couple more versions (see below) – this one is getting a bit closer to the finished version of the Mark avatar, but still looked a bit too stern…..and perhaps a bit too much like a ‘psycho-killer’!

Another attempt at Mark’s avatar, Year of the Dealer films. Image, Antique Dealer Research Project, University of Leeds.

And another early version of the Mo avatar (see below) – which we thought maybe made the Mo avatar look a bit too ‘Gen Z’ .

Another attempt at Mo’s avatar, Year of the Dealer films. Image, Antique Dealer Research Project, University of Leeds.

As you might appreciate there was an awful lot of work in creating and producing the films and a lot of decisions to be made; we would like to thank Patrick again for all his hard work (and patience!) on various drafts, iterations and edits.

Look out for next week’s blog for another ‘Behind the Scenes of the Year of the Dealer’.

Mark

July 14, 2026

Behind the Scenes of the Year of the Dealer 4 – S. J. Phillips at Preston Park Museum

Here’s more on our Behind the Scenes of the Year of the Dealer theme with some behind the scenes ‘gossip’ on the making of the digital film trail for S.J. Phillips, the world famous antique silver dealers, at Preston Park Museum, Stockton-on-Tees – here’s the finished film on the YoD website.

The films we made at Preston Park Museum were amongst the most complicated of all five museum digital film trails. Mainly because the Year of the Dealer project took so long to complete that by the time we launched all the films in June 2026 Preston Park Museum had undergone a major refurbishment of its displays. As a consequence, six of the ten objects we focused on in the films had been moved to museum storage and were no longer on display. This meant that we couldn’t use floorplans to locate the objects for viewers that wished to go to see the objects in real life at the museums (as we did in the other four museums) – you may have noticed that there are no floorplans in the Preston Park Museum digital film trails?

Preston Park Museum floor plan prior to major refurbishment. Image, Preston Park Museum.

As a result of the refurbishment at Preston Park Museum we also decided we should only use the photographs we took of the interior displays at Preston Park prior to refurbishment in a very limited way so as not to confuse the viewers watching the films, (and any subsequent museum visitors).

Display at Preston Park Museum, now no longer in the galleries at the museum. Image, Year of the Dealer project and Preston Park Museum 2026

This photograph (above) for example, was initially going to feature prominently in the main introductory film for Preston Park Museum, as well as in the S. J. Phillips and Law, Foulsham & Cole films, but we felt we couldn’t really highlight the image as much as we initially planned, due to the display being remodelled during the Preston Park Museum refurbishment.

The photograph shows the silver powder flask highlighted in the S. J. Phillips film (top middle) as well as the small 18th century snuff box featured in the Law, Foulsham & Cole film at Preston Park Museum (righthand side, 3rd row down, the yellow coloured oval box) – both objects are now in storage at Preston Park Museum along with the majority of the other objects on display in the glass case and we only used close-up versions of the photograph in the S.J. Phillips and Law, Foulsham & Cole films.

This small detail is hardly noticeable in the actual films of course, but it reminded us a lot about how long the project took to complete and how complicated projects can be – but also how important it is to be flexible when working with partners!

Mark

July 6, 2026

Behind the Scenes of the Year of the Dealer 3 – Charles Duveen at Lady Lever Art Gallery

Here’s more behind the scenes ‘gossip’ on the Year of the Dealer films – this time the Charles Duveen (C. J. Charles) film at Lady Lever Art Gallery – you can see the film here

We were fortunate in this film that Russell Fielding, one of the visitor assistants at Lady Lever Art Gallery who introduced the suite of antique Italian furniture, was also an enthusiastic amateur actor – his enunciation in his introduction to the suite is fantastic! Russell sadly is no longer working at Lady Lever Art Gallery – perhaps he is treading the boards somewhere?

Screenshot from The Year of the Dealer film at Lady Lever Art Gallery with Russell Fielding. Year of the Dealer project, University of Leeds.

There were numerous edits to the script for the Charles Duveen film at Lady Lever Art Gallery – we had to cut some sections to keep to our sub-4 minute rule. So a section (lasting about 35 seconds) telling the story about the early history of the Duveen dynasty of antique dealers (the family is of Dutch Jewish extraction, but started out in Britain in Hull of the east coast of England in the 1840s) was cut. As was a short section (about 40 seconds) on the significance of the close relationships between collectors and networks of antique dealers – this was illustrated in the image of C. J. Charles’ invoice for the suite of Italian furniture (see below – the image of the invoice was actually included in the film).

Invoice from C.J. Charles for suite of Italian furniture to Lord Leverhulme, 19th Sept 1919. Courtesy of Lady Lever Art Gallery archives.

The handwritten notes on the invoice illustrate the tightly grouped network of London antique dealers that Lord Leverhulme used as key suppliers for his antique collecting activities. Moss Harris & Sons were one of Leverhulme’s most trusted antique dealers and Leverhulme regularly acquired antiques from Moss Harris’ Oxford Street shop. One of the the handwritten pencil notes on the invoice indicate that the suite acquired from C. Charles was located at ‘Mr. Charles’ warehouse, 25 Woodstock Street, Oxford Street‘ (which was just off Oxford Street and New Bond Street near to Charles’ shop in Brook Street). Another note (in pen) states ‘To be removed to M. Harris & Sons 44 New Oxford Street WC1‘. A shipment by Moss Harris’s van (see below) would be the most efficient way of getting antiques from various London antique dealers to Leverhulme’s various houses.

M. Harris & Sons delivery van, c.1935. Photograph courtesy of John Hill.

Unfortunately, we could not fit either of these fascinating details into the script and audio for the C. Charles film at Lady Lever Art Gallery, but we did get this lovely image of M. Harris van in one of the films focused on M. Harris & Sons at Lady Lever Art Gallery though!

See next week for more Behind the Scenes of the Year of the Dealer

Mark

June 29, 2026

Behind the Scenes of the Year of the Dealer 2 – H. Blairman & Sons at Temple Newsam

Here’s some more behind the scenes ‘gossip’ from The Year of the Dealer – this one is on the making of the digital film trail at Temple Newsam for H. Blairman & Sons sale of the famous library desk made in c.1770 by Thomas Chippendale for Harewood House – here’s the finished film on the YoD website

This was quite a complicated film to make as we had to go to London to create a filmed interview with Martin Levy (current owner/director of H. Blairman & Sons) for the Temple Newsam film; we also used extracts from the interview with Martin in the other H. Blairman & Sons films for Bowes Museum and V&A.

We spent quite a lot of time at Temple Newsam working with the amazing front of house team and Adam Toole, curator, Temple Newsam and Decorative Art, making the introductory pieces to camera and photographing the desk etc. It was a lot of work, but we had a lot of fun too.

Viewers may notice when you watch all the films there is a repetitive rhythm to the piece to camera that introduces each of the museum objects – we wanted ‘antique’ and ‘antique dealer’ to be constant phrases in all the introductory pieces in all the films to emphasize these key ideas throughout the project. But this ‘script’ was often surprisingly easy to trip up on – here’s Adrian Thompson, one of the visitor assistants at Temple Newsam, trying to nail his introduction to the Harewood House library desk – Adrian very generously agreed to let us all see one of his (multiple) attempts!…many thanks to Adrian for allowing us to show this.

Adrian Thompson, Visitor Assistant at Temple Newsam, introduces the Harewood House library desk.

Like in many of the other films, there were numerous images/photographs that we could have used in creating the films but we could not really find the space in the time limits we had placed on the length of the films. In the Temple Newsam H. Blairman & Sons film we had photographs of the various reports on the sale of the desk in national and local newspapers (the sale of the desk featured in reports in The Guardian (Sept 1965) and thee Yorkshire Post (Nov 1965) and several others), but could not find space for the images. We also thought about including a few images of the Christie’s auction catalogue (1st July 1965) – (see below) but could not find space for this in the film without the images appearing and disappearing too rapidly. The catalogue is interesting though, as it highlights the importance of the desk – it had a colour photo fold out of the desk as the frontispiece.

Christie’s auction catalogue, 1st July 1965. Image, Antique Dealers Research Project, University of Leeds.

There were some other ideas we tested in the drafts for the film – one of which was that we might include speech bubbles to coincide with the avatar’s audio (see below – this is what the Mo avatar says in the script). This looked so bad though, so we decided to drop it; plus all the films have hard of hearing subtitles embedded as part of the software which viewers can turn on if they need to.

One of the other things that we noticed in the early drafts of the Temple Newsam YoD film was that in the first drafts of this shot (above) of the ‘Gothic Room’ at Temple Newsam viewers could see Patrick (the film maker) taking the film reflected in the cheval mirror at the back of the room on the left side – we could not film this all over again as it would mean having to book time to go to Temple Newsam again…so Patrick rather cleverly cut and pasted a reflection of what could be seem in the mirror if we were not there into this section of the film…..the devil is in the detail!

We’ll have another Behind the Scenes of the Year of the Dealer next week.

Mark

June 22, 2026

Behind the Scenes of the Year of the Dealer 1 – Frank Partridge & Sons at V&A South Kensington

Our first in this new series of Behind the Scenes of the Year of the Dealer is on one of the films at the V&A South Kensington – Frank Partridge & Sons and The Great Bed of Ware – here’s the film

This film is about average in terms of the length of all the YoD films at films at 3 minutes 40 seconds, but it was planned to be a bit longer at nearly 5 minutes. This was too long for a trail; we thought that about 4 minutes was the longest we should make the films – this was to factor in that some viewers may watch the films on their phone in front of the object in the museum – so we cut quite a lot of information about the more recent history of Frank Partridge & Sons out of the film and moved that information to the Frank Partridge films at The Bowes Museum, Preston Park Museum, Temple Newsam, and Lady Lever Art Gallery (Partridge is the only dealer represented in all 5 museum film trails). We edited the script to reduce the running time of the V&A Partridge film; there were also too many images as well, which meant they appeared and disappeared on screen too rapidly, so we removed some of the images to allow the images that remained a little more time on screen.

One of the images we removed was this photograph of the Great Bed of Ware at Frank Partridge’s shop at 26 King Street, St. James’s in London in 1931 (see below). The photograph shows a man kneeling in front of the bed – perhaps this is Frank Partridge, but we couldn’t be sure and as we had other images of the bed in Partridge’s shop we included those instead.

The Great Bed of Ware at Frank Partridge’s antique shop in London in 1931. Image from The Sphere, July 25th 1931.

We also wondered about telling more of the story about the Great Bed of Ware – it has a long history, including being illustrated in Samuel Meyrick and Henry Shaw Specimens of Ancient Furniture (1836) (see below), one of the earliest depictions of the bed. But we really wanted to focus on the dealer, Frank Partridge, so decided not to include a more fulsome history of the bed. Such information is more commonly highlighted when the Great Bed of Ware is discussed anyway, and is available at the V&A and elsewhere.

The Great Bed of Ware, Samuel Meyrick and Henry Shaw, Specimens of Ancient Furniture (1836), plate 37.

One of the other changes we made was the representation of the house (the equivalent of the price of the antique to the price of a house at the time the antique was acquired by the museum is the common theme throughout all the YoD films) – we didn’t like the first attempt…the house looked too modern and a bit too ‘American’ (see below) (not that we have anything against Americans!), so we swapped the image for the more appropriate looking 1930s house (the bed was sold to the V&A in 1931) in the final version of the Frank Partridge & Sons digital film trial. We also decided that all the images of houses in the films should be images of houses dating from around the time that the dealer sold the object (the antique) to the respective museum, rather than this generic house image (below).

There were several other changes and edits to the film. I think we must have made at least 6 or 7 versions of each of the YoD films before we settled on the final versions – so that’s 50 films x 7…and enormous amount of work! For the V&A Partridge film one thing we debated about for a while was the use of what I called ‘the Monty Python Hand’ as a way of highlighting the carved initials ‘F.P.’ in the frame of the bed (see below).

We tried various ways of highlighting the initials but we quite liked the quirky-ness of the Victorian hand – we used the hand in some of the other YoD films too. Patrick Bannon, who made all the films for us, also voiced the script for the extract from Frank Partridge’s memoirs in the V&A Partridge film – Partridge was originally from Hertfordshire, rather than the Wirral though (where Patrick is from)…so a bit of artistic license (as well as questions of economy) was needed!

See next week for more Behind the Scenes of the Year of the Dealer 2.

Mark

June 15, 2026

Behind the Scenes of the Year of the Dealer

As part of the Year of the Dealer digital film trails launch (see previous post), we are going to post some weekly updates for those following and watching the Year of the Dealer films. As you may know, there are 50 antiques highlighted in the Year of the Dealer films, so that’s just under one per week for the full year of the Year of the Dealer.

And so, each week we are going to reveal some of the stories, images, ideas for each of the film- things that never made the ‘cut’ or that we could not include for various reasons – a kind of behind the scenes look at the making of the Year of the Dealer.

In anticipation of that, here is a preliminary to the first of the YoD posts – we show here (below) Patrick Bannon, who is a photographer and film maker in Yorkshire and was the camera man for all the Year of the Dealer films. Here’s Patrick at Lady Lever Art Gallery filming our ‘What is an Antique?’ film with Fiona Slattery Clark, Curator of Decorative Art at National Museums Liverpool.

Patrick Bannon with Fiona Slattery Clark at Lady Lever Art Gallery, Port Sunlight, Wirral, filming the Year of the Dealer, ‘What is an Antique?’ film in 2022. Image, Year of the Dealer project, University of Leeds.

We will still be posting our usual antique dealer research updates on the Blog too of course, but watch out for the next in our behind the scenes of the Year of the Dealer next week!

Mark

June 11, 2026

The Year of the Dealer Digital Film Trails Launched!

After many years of invigorating research and work, the digital film trails for the Year of the Dealer project are finally launched today, Thursday 11th June!

As many of our readers will know, The Year of the Dealer is a project that began 4 or 5 years ago, and it’s taken an enormous effort, working with a brilliant team at the University of Leeds and colleagues at our 5 Year of the Dealer collaborating partner museums – The Bowes Museum, Lady Lever Art Gallery, Preston Park Museum, Temple Newsam, and the V&A South Kensington – to finally launch the digital film trails.

You can watch all the films here – on the Year of the Dealer main project website, but also on all five partner museum websites too – we hope you enjoy watching the films – but you can also go and see the antiques highlighted in the films at each of our five partner museums.

Focusing on ten familiar objects at each of the five museums, the films highlight how some of our most prized treasures ended up in collections and reveal their hidden histories as ‘antiques’. Guided by two friendly avatars, Mark and Mo (see below) – with introductions by respective museum directors, curators and collections officers – 50 antiques and over 40 antique dealer histories are explored.

Mark and Mo – the avatar guides in the Year of the Dealer digital film trails. Image, The Year of the Dealer project, University of Leeds.

The films reveal the fascinating stories of the dealers who sold the antiques to the museums – including Edgar Gorer, a leading specialist in antique Chinese porcelain, who sadly perished in the sinking of the Lusitania in 1915; and antique dealer Frank Partridge, who miraculously survived the same disaster.

Several films highlight the important role that women have played in the history of antique dealing. One features an antique lace collar on display at The Bowes Museum in Barnard Castle, originally from the collection of Jane Clarke, one of the most prominent antique dealers of the 19th century (see below).

17th century Lace Collar, part of the Year of the Dealer digital film trail at The Bowes Museum, Barnard Castle. Image, The Year of the Dealer Project, University of Leeds & The Bowes Museum.

The Year of the Dealer project draws together several years of research, including museum and dealers’ archives, auction catalogue records and oral history interviews, to bring these previously little-known stories to life.

Other antiques in the digital film trails include the important library table, made by Thomas Chippendale in the 1770s for Harewood House in Yorkshire, sold to Temple Newsam, Leeds in 1964 by H. Blairman & Sons for a world record price of 41,000 guineas (see below);

The Harewood Library Desk, c.1770, part of the Year of the Dealer digital film trail at Temple Newsam, Leeds. Image, The Year of the Dealer project, University of Leeds & Temple Newsam, Leeds Museums & Galleries.

A rare pair of 17th century Chinese ‘Prunus’ pattern jars, sold by the special dealer in Chinese Works of Art Edgar Gorer to the collector William Hesketh Lever in 1911 for the spectacular sum of £6,500 (equivalent to as much as £3.8 million at the time) and now at Lady Lever Art Gallery (see below).

A pair of Chinese 17th century ‘prunus’ jars, part of the Year of the Dealer digital film trail at Lady Lever Art Gallery. Image, The Year of the Dealer project, University of Leeds & Lady Lever Art Gallery, Port Sunlight.

The Bowes Museum’s famous 18th century silver swan automaton, acquired by John and Josephine Bowes from the dealers Briquet and Samper of Paris in 1872 for about £200 (see below).

18th century silver swan automaton, part of the Year of the Dealer digital film trail at The Bowes Museum, Barnard Castle. Image, The Year of the Dealer project, University of Leeds & The Bowes Museum.

The Great Bed of Ware, sold by the antique dealer Frank Partridge to the V&A Museum in 1931 for £4,060 (see below).

The Great Bed of Ware, part of the Year of the Dealer digital film trail at the V&A South Kensington. Image, The Year of the Dealer project, University of Leeds & V&A South Kensington.

There are also some much more humble objects sold by antique dealers to museums, such as this toy Noah’s Ark c.1900, sold to Preston Park Museum, Stockton, in 1969 by Caedmon Antiques of Whitby for a few pounds (see below).

Toy Noah’s Ark, c.1900, part of the Year of the Dealer digital film trail at Preston Park Museum, Stockton. Image, The Year of the Dealer project, University of Leeds & Preston Park Museum, Stockton.

We hope you enjoy the Year of the Dealer films, and that it will encourage you to think further about the role that antique dealers have played in the development of collections.

Mark

March 28, 2026

The Year of the Dealer

Some exciting news (I hope!) – the final part of The Year of the Dealer project is finally ready for launch. It’s been an absolutely mammoth task, spanning the last few years, creating the digital film trails, but we are very nearly ready to press the button and make the project ‘live’. We are aiming to press the launch button in June – we’re just working with our fantastic partner museums to make sure everything lines up and we’ll be good to go!

The Year of the Dealer project has involved multiple outputs over the last few years, including a film (Quinneys 2021), workshops and events, and an art-film ‘Echo’ – you can read all about the project on the Antique Dealer Research Project website

Year of the Dealer project website 2026.

The Year of the Dealer digital trails is the final part of the (current) project and has involved creating 50 short digital trails in collaboration with 5 of the UK’s leading museums – The Bowes Museum, The Lady Lever Art Gallery, Preston Park Museum, Temple Newsam, and the V&A Museum. We have picked 10 objects at each museum and told the stories of the antique dealers behind the objects. All 57 digital films (there are also 7 introductory and supplementary films) will go ‘live’ in a couple of weeks and will be live for a year, to make 2026-2027 The Year of the Dealer!

To whet your appetite, here’s a promotional film we have made, highlighting the Year of the Dealer project (see below).

Do watch out for the Year of the Dealer when it launches – and we will be posting updates on the Antique Dealer Research blog about the Year of the Dealer digital films and associated events throughout the coming year.

Mark

February 7, 2026

Remembering Tony Lumb (and Charles Lumb & Sons)

We were very sad indeed to hear that Tony Lumb, of the very well-known antique dealers Charles Lumb & Sons of Harrogate, Yorkshire, passed away over the Christmas period. Tony, together with his wife Mary, was a great supporter of the Antique Dealers Research Project at the University of Leeds – in fact we conducted an oral history interview with Tony and Mary (and James Lomax, former curator at Temple Newsam, Leeds) back in 2014 and we have very fond memories of Tony and Mary – they both came along to the premier of our film of the play ‘Quinneys’ (1915) which we made in 2021, screened at York Picture House in November 2021.

Tony Lumb at home in Knaresborough, 2014. Photograph, Antique Dealers Research Project, University of Leeds.

Tony was born in 1935 and joined his family antique dealing business, Charles Lumb & Sons, in 1956 after completing his National Service. The business had been started by Tony’s grandfather, Charles Lumb (1878-1963), who was born in Dewsbury, Yorkshire in 1878 and trained as a cabinetmaker; he established Charles Lumb & Sons as antique dealers in Harrogate in 1907. Below is a photograph of one of the early business premises of Charles Lumb, a small 19th century workshop where Charles Lumb traded from just after the end of the First World War in 1918 or 1919 – the photograph is from the 1980s, when Charles Lumb & Sons still owned the property and used it as a store for their stock of antiques.

Charles Lumb & Sons, Montpellier Street/Montpellier Mews, Harrogate; shop/workshop opened in about 1918/19. Photograph courtesy of Tony and Mary Lumb.

Charles Lumb opened a shop in Swan Road in Harrogate in the early 1920s, before moving to larger premises in Montpellier Street, Harrogate in the 1930s. Below is an advertisement produced by Charles Lumb & Sons in 1938, trading from their Montpellier Street address.

Charles Lumb & Sons, advertisement, Apollo, August 1938. Photograph, Antique Dealers Research Project, University of Leeds.

Tony’s father, Frank Lumb and his uncle Reg, together with Tony, ran the antique business after Charles Lumb died in 1963. By then they had moved the business, opening a new shop at 34 Montpellier Parade, Harrogate in 1947, and were one of the most important antique dealers in the UK. Below is a photograph of Charles Lumb’s shop at Montpellier Parade in 1954, just a couple of years before Tony Lumb joined the business in 1956.

Charles Lumb & Sons, Montpellier Parade shop interior, 1954. Photograph courtesy of Tony and Mary Lumb.

When Reg Lumb died in 1976 Frank, with Tony and Mary, continued to run the antique dealing business; Frank Lumb was working in the antique shop until his early 90s; he died aged 97 in 1993. Tony and Mary finally closed Charles Lumb & Sons in 2012.

Mary and Tony Lumb, 2014. Photograph, Antique Dealers Research Project, University of Leeds.

Tony served on the Council of the British Antique Dealers Association (BADA) in the 1970s, and served as Vice President of the BADA during the early 1980s. He was always interested in the developments of the Antique Dealers Research Project at the University of Leeds, and were so sorry to hear that he had passed away. We were particularly sorry that Tony will not see the launch of the Year of the Dealer project (which launches on 1st March 2026) – Charles Lumb & Sons are the subject of one of the ‘dealer trails’ films at Temple Newsam, the country house museum near Leeds. This wonderful 18th century Dutch giltwood chandelier (see below) is featured in the short film focused on Charles Lumb & Sons – (the chandelier was sold to Temple Newsam by Charles Lumb & Sons in 1950, for £159 and 10 shillings).

18th century Dutch giltwood chandelier at Temple Newsam, Leeds. Photograph, Antique Dealers Research Project, University of Leeds and Leeds Museums & Galleries.

We send our sincerest condolences to Mary and the Lumb family.

Mark

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