Posts tagged ‘Brotherton Special Collections’

December 30, 2023

Part of the Furniture: The Library of John Bedford – exhibition

Exciting news for the forthcoming start of 2024 – I’ve curated a new exhibition (with Rachel Eckersley, rare book specialist at the Brotherton Library Special Collections and Rhiannon Lawrence-Francis, Special Collections Curator), which opens on 9th January 2024 at the Treasures of the Brotherton Gallery at the University of Leeds. 

 The exhibition, ‘Part of the Furniture: The Library of John Bedford‘, which runs until 2nd December 2024 (so plenty of time to see it) is focused on the library of furniture history, assembled by former antique dealer, John Bedford (1941-2019). John owned William Bedford Antiques in North London, and which became a Public Limited Company (PLC) in the 1980s. John spent 45 years creating a remarkable library of books and manuscripts, dating from the 17th century to the twentieth century, and the exhibition celebrates John’s extraordinary gift to the University of Leeds.

Thomas Chippendale, The Cabinet-maker and Gentleman’s Director (1754)

 The exhibition explores the history of furniture as a subject, highlighting the role that books and publications have played in the evolving discourse, and directing attention to the influential role that antique dealers and collectors have played in the formation of furniture history. It is full of rare and wonderful books and manuscripts, from a early 18th century Apprenticeship Indenture, and a unique copy of Jacques Androuet Du Cerceau’s Furniture Designs (c.1545-1565), to key texts such as Chippendale’s Director (1754) and Sheraton and Hepplewhite pattern books.

 One of the most interesting items (as far as the antique dealer’s blog is concerned at least), is a unique sketch book of designs for drapery and furniture produced by Daniel Thorn (c.1788-1853) in the early 19th century. Thorn began trading as ‘Upholsterer’ in the 1810s, but by the 1830s he was trading as a ‘curiosity dealer’ and ‘dealer in ancient furniture’. Such a transition, as readers of the antique dealers blog will know, was quite common in the early 19th century.

Sketch book of Daniel Thorn, c.1814-1820s. Photograph Brotherton Library Special Collections University of Leeds.

 Thorn’s sketch book contains dozens of designs for upholstery schemes, as well as sketches for furniture designs, all in the fashionable taste of the 1810s and 1820s. But his sketch book also contains some fascinating drawings of antiques and curios, demonstrating his evolving interests as a dealer in ancient furniture and curiosities. This drawing (below) is typical of the detailed sketches in Thorn’s album – a loose page inserted into the bound volume – it shows 16th and 17th century ‘Bellarmine’ jugs, a ‘Curious Bason [sic] plate (old Earthen Ware painted Yellow & B [brown/black?] ornam[ent]’, together with 17th century glass vessels, a knife ‘very rude’ and a ‘Yellow Earth[enware] pot’

Sketch book of Daniel Thorn, c.1814-1820s. Photograph Brotherton Library Special Collections University of Leeds.

 The exhibition also includes a fabulously vibrant trade catalogue produced by Henry Lawford in 1855 – The Cabinet of Practical, Useful and Decorative Furniture Designs. It folds out, rather like an old Ordnance Survey Map, and contains brightly coloured lithographed designs, mounted on a linen background, for deep-buttoned sofas in typical Victorian styles of the period. It reminds us that the Victorian interior was a riot of colour, rather than being dour, dark and drab!

Henry Lawford, The Cabinet of Practical, Useful and Decorative Furniture Designs (1855). Photograph Brotherton Library Special Collections University of Leeds.

  The exhibition is FREE to visit – the Treasures Gallery is open Tuesday to Friday 10am-5pm – and runs from 9th January until 21st December 2024. Do also keep your eyes open for events associated with the exhibition ‘Part of the Furniture: the John Bedford Library’ throughout 2024. I hope you get a chance to come and see the exhibition – do say hello!

 Happy New Year to all our readers!

Mark

February 26, 2023

Waring & Gillow Italian Antiques Exhibition 1909

A new edition to the growing collection of Antique Dealer catalogues is a rare exhibition catalogue produced by the furniture makers and retailers Waring & Gillow in 1909. This ‘Exhibition of Italian Furniture and Pictures by Italian Artists’ took place at Waring & Gillow’s shop in Oxford Street in London.

Waring & Gillow Exhibition catalogue, 1909. Photograph, Antique Dealers’ Research Project, University of Leeds.

The exhibition included a very wide range of ‘antiques’ – ‘antique furniture’, ‘Old tapestries’, ‘sculptured marbles of historic interest’, ‘Bronzes’, ‘Old Majolica ware’, ‘Lace’, XVIth century Cathedral Vestments’ and paintings by ‘Old Masters’, as well as paintings by ‘Modern Italian Artists’ such as Pio Joris (1843-1921), Silvio Galimberti (1869-1956) and Filiberto Petiti (1845-1924) – the latter loaned by Queen Margherita of Savoy (1851-1926).

Waring & Gillow Exhibition Catalogue, 1909. Photograph, Antique Dealers’ Research Project, University of Leeds.

The ‘Modern’ paintings in the exhibition appear to have all been loans from various private collectors, no doubt an extra inducement for potential customers to come to buy the wide range of antiques in the exhibition, all of which were for sale. There were a small number of ‘Old Master’ paintings, which also appeared to have been loans (‘The Three Graces by Sarriboursi’, ‘The Annunciation by Francesco di Gentile’ and a ‘Madonna and Child and Saints Bernardo and Girolamo by Pinturicchio’); but there were also one or two ‘Old Paintings’ on sale at the exhibition – a pair of oil paintings on panel ‘of the Pier Della Francesca School’ (priced at £75 the pair), and a ‘XVth century Madonna and Child’ on panel (priced at £95).

The range of antiques for sale illustrates the evolving fashion for Italian interior decoration promoted by Waring & Gillow at the time. The catalogue even included an illustration of an ‘Italian Salon’ as one of the frontispiece images – the tapestries in the illustration were for sale in the exhibition, described as ‘Early XVIIth century’ the 7 tapestries were offered at £3,000 the set.

Waring & Gillow Exhibition Catalogue, 1909. Photograph, Antique Dealers’ Research Project, University of Leeds.

The exhibition included a wide range of antique furniture, including ‘XVth, XVIth and XVIIth century’ chairs and tables, coffers and cassone; this ‘Fine Italian Renaissance Credence’ in walnut (see below) was priced at £100.

Waring & Gillow Exhibition Catalogue, 1909. Photograph, Antique Dealers’ Research Project, University of Leeds.

And this ‘Table of old ”Verde Antico” marble, with ”Breccia Corallina” borders, was offered at £115 (see below).

Waring & Gillow Exhibition Catalogue, 1909. Photograph, Antique Dealers’ Research Project, University of Leeds.

Perhaps the most surprising ‘antiques’ for sale in the exhibition was a range of ecclesiastical vestments, including this ‘Renaissance Chasuble of the Sixteenth Century’ (one of 4 offered for sale) at £39.10s (see below). Although to be fair, the tradition of buying and selling antique textiles goes back to at least the early 19th century in terms of the history of antique dealing, and museums such as the South Kensington Museum (now the V&A Museum) had been assembling collections of antique textiles since it’s earliest days in the 1850s.

Waring & Gillow Exhibition Catalogue, 1909. Photograph, Antique Dealers’ Research project, University of Leeds.

That Waring & Gillow, one of the leading modern furniture retailers in the period, should be staging exhibitions of ‘antique furniture’ is of course not unusual; the firm was also buying and selling antique furniture alongside many modern furniture retailers at the time. The exhibition catalogue will be making it’s way to the collections of Antique Dealer material at the Brotherton Library Special Collections at the University of Leeds in due course.

Mark

January 29, 2022

More Antique Dealer Ephemera – Mary Bellis Antiques photo albums 1940s-1950s

The collections of antique dealer ephemera and archives gathered as part of the on-going research into the history of the antique trade in Britain continues apace. The latest additions are two unique photograph albums of stock of the well-known dealer in antique oak furniture and early objects, Mary Bellis (c.1896-1897). Bellis opened her first antique shop in Bournemouth in 1943, and the photograph albums appear to date from an early period in the history of Mary Bellis Antiques.

Photograph Album (album 1), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

The two albums, both comprising bound leaves of thick black card, mounted with dozens of black and white photographs of various antiques that Bellis had in stock, unfortunately have no metadata; no prices, dates, or provenance information about the objects depicted in the photographs. But all of the photos are numbered, in sequence, so I guess they would relate to a stock book (if one still exists?). The first album (above) 12 inches x 10 inches in size, has a hand-painted title ‘Antiques by Mary Bellis’, whereas the second album (slightly larger at 14 inches x 10 inches) has a cover embossed in gilt lettering, ‘Photographs Mary Bellis of Bournemouth Antiques’.

Photograph Album, (album 2) c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

‘Mary Bellis of Bournemouth’ continued to be a trading name of Mary Bellis Antiques for sometime after Bellis moved her business from Yelverton Road in Bournemouth to Charnham Close in Hungerford, Berkshire in 1952, so the albums could date into the 1950s. The business had an international reputation for early oak furniture and associated objects and this is reflected in the array of antiques illustrated in the photo albums. Mary, together with her husband Eric (d.1976), who was a chartered accountant and company director, amassed an important collection of early furniture and objects during the 1920s and 1930s, before Mary began trading as an antique dealer in the early 1940s. After her death in 1987, Christie’s held an auction sale of their collection (Christie’s 21 May 1987, London).

Photograph Album (album 1), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

The photograph above, (from album 1) illustrates a range of antiques that Bellis sold, including non-European objects, such as what is described as ’16th cent candle’, and which appears to be from the African continent? Several of the photographs have these short descriptions, in pen, but frustratingly none have any provenance detail or information on prices at which they were bought and sold.

Photograph Album (album 1), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

The page (above) indicates that Bellis also sold ceramics – the photograph shows an English 18th century salt-glaze jug (with a description, in pen, ‘Salt Glaze Jug’ and ‘(see 8)’ and which refers to a photograph of the reverse side of the jug in photograph 8 on the opposite page in the album. Also included are photographs of some of the early paintings that Bellis sold, including one, (photo no.12 bottom right) inscribed ‘Van Kessel’ in pen. Jan van Kessel (1626-1679) was a leading Flemish painter of the 17th century – if anyone recognises the painting, or the other paintings in the album, do let us know.

Photograph Album (album 1), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

Album no.1 also contains some photographs of what looks like interiors of Mary Bellis’ shop? (see top two photos in the photograph above); perhaps illustrating how Bellis arranged and displayed her shop.

Album no.2 contains similar photographs, again mostly numbered in sequential order, but with emphasis on 16th and 17th century British oak furniture. This page from album no.2 (see below), shows a range of oak cupboards and an oak coffer/chest.

Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

Album no.2 also includes dozens of photographs illustrating the wide range of trading stock; paintings, sculpture, textiles, metalwork, stained glass and ceramics – including (in the second photograph below) a collection of 18th century English pottery figures.

Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.
Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

Given the quality of many of the antiques in the photographs, it may still be possible to see if the antique still exist in private or public collections? These examples of 16th an 17th century stained and painted glass, for example, associated with the Verney family? If anyone does know where these objects are now, we would be very interested to hear from you.

Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.
Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

The albums are an increasingly rare survival of business ephemera associated with the British Antiques trade, and give us invaluable insights into the history of the trade. The albums will eventually make their way to join the rest of the antique dealer related material in the Brotherton Library Special Collections at the University of Leeds.

Mark

September 11, 2019

Antique Dealer catalogues

Thanks to our friend and colleague, Chris Jussel, formerly of the antique dealers Vernay & Jussel, in the USA, our archive of historic antique dealers catalogues continues to increase.  Chris very generously send us, all the way from America, a small cache of dealer catalogues from his collection. The catalogues are mostly undated, but appear to be mainly from the mid 1980s, and were produced by a number of well-known antique dealers, some of whom are no longer with us.

Amongst the catalogues are examples produced by the firm of Thorpe & Foster in c.1980-1985, who were trading in Dorking in Surrey in the 1980s; Thorpe & Foster were well-known as ‘specialists in antique walnut furniture’ and advertised extensively in the 1980s.  They appear to have incorporated Hampshires of Dorking and the fine art dealership ‘Dorking Fine Arts’ in the late 1980s. Their shop in Dorking was appropriately located in an historic house – in this case a Georgian House, and such business premises had been a favourite setting for antique dealers since the early 1900s.

Thorpe & Foster catalogue, c.1985.

Some of the catalogues, probably dating from the late 1980s, appear to foreground Hampshires of Dorking as the main business, rather than Thorpe & Foster. It’s not known when the business of Thorpe & Foster was established, nor when the business joined with Hampshires of Dorking, but one of the Thorpe & Foster catalogues, evidently from the early 1980s, indicates that Thorpe & Foster were trading at 49 West Street, Dorking, and by the mid 1980s, when they had incorporated Hampshires of Dorking, the business extended from 48 to 52 West Street.

The Hampshires of Dorking catalogues suggest that the antique furniture on sale was displayed in ‘period room’ settings in the 1980s.

Hampshires of Dorking, catalogue 1980s.

Other antique dealer catalogues in the cache sent to us by Chris Jussel include examples produced by the dealer Brian Fielden, again dating from the 1980s and who was trading from New Cavendish Street, London at the time.

Brian Fielden antiques, catalogue 1980s.

And catalogues, also dating from the 1980s, from the well-known English antique furniture dealers Apter-Fredericks, who are still trading in the Fulham Road in London – Fulham Road was known by many in the antique trade as ‘the brown mile’ because the large number of antique furniture dealers that settled in Fulham Road during the 1970s and 1980s.

There are also a small selection of dated catalogues (dating from 1981, 1982 and 1983) produced by the firm of W.R. Harvey & Co (Antiques) Ltd., (then trading from Chalk Farm Road in North London; the firm is also still trading, now in Corn Street, Witney in Oxfordshire); and a 1980s catalogue produced by Edward A. Nowell Antiques, the well-known dealer in Wells in Somerset.

Edward A Nowell Antiques, catalogue, 1980s.

The antique dealer catalogues are a very valuable resource for the antique dealers research project – they illustrate the kinds of antiques that were most fashionable in the period and also indicate the changing marketing techniques and practices of the antique trade – or at least some key sectors of the antiques trade. These 1980s antique dealer catalogues are highly polished publications, produced as part of sophisticated advertising to promote the businesses.

The practice of antique dealers producing catalogues of their stock has a long history. Indeed, some of the earliest antique dealer catalogues were produced in the 1820s – the dealer Horatio Rodd, who was trading in Great Newport Street in London during the 1820s to 1840s, seems to have regularly produced printed and illustrated catalogues of his stock, two of which (dating from 1824 and 1842) survive in the National Art Library at the Victoria & Albert Museum (shelfmark G.31.H and shelfmark II.RC.L.32) – they were both also on display at the recent SOLD! The Great British Antiques Story at the Bowes Museum.

And as previous blog posts have demonstrated, many antique dealers, both in London and in the provinces, continued to produce catalogues of their stock throughout the 19th and 20th centuries (see, for example, recent blog posts on W.F Greenwood & Sons). Some of the most well-known examples are the late 19th and early 20th century catalogues produced by the Nottingham antique dealer Samuel Richards.

Catalogue of stock produced by Samuel Richards of Nottingham, 1890s.

Richards’ catalogues were posted to collectors on a regular basis, apparently every month, from the 1880s until the start of World War I. The S. Richards’ catalogues illustrate the very wide range of antiques and curiosities that a leading dealer sold in the period, from a ‘Fine Chippendale Armchair’ and a ‘Queen Anne Dressing Mirror’ to a pair of ‘Rare Silk work Pictures’ and an ‘Early Worcester Cup and Saucer’. Examples of Richards’ catalogues survive at the National Art Library at the Victoria & Albert Museum and in the extensive collections of antique dealer archives at the Brotherton Library Special Collections at the University of Leeds.

The latest cache of antique dealer catalogues that Chris Jussel has so generously donated to the antique dealers’ research project will provide future researchers will valuable information of the ways in which leading antiques dealers of the 1980s marketed their stock of antiques.

Mark

February 27, 2019

Antique Dealers: Buying, Selling and Collecting at the Stanley & Audrey Burton Gallery, University of Leeds

The ‘Antique Dealers; Buying, Selling and Collecting’ exhibition at the Stanley & Audrey Burton Gallery at the University of Leeds is starting to take shape – we’re just doing the final install this week, and the object loans from Temple Newsam, Leeds arrived yesterday. It’s very exciting seeing this exhibition develop – especially as I now feel like an old hand at exhibitions, having done the SOLD! exhibition at The Bowes Museum.  The Leeds exhibition is on a much smaller scale – only about a dozen or so objects, but it will, I hope, be just as engaging, and I hope will also foreground the amazing antique dealer archives we have at the Brotherton Library Special Collections.

The objects from Temple Newsam are being placed back into a dialogue with the original archives from the three of the dealers that are the focus of the exhibition at Leeds – Phillips of Hitchin, Ronald A Lee and Roger Warner. Here’s the first of the Temple Newsam objects arriving at the gallery.

Antique Dealers Exhibition at Leeds University – the packing crates arrive.

The story of the exhibition is on antique dealers buying and selling antiques, and of course and perhaps inevitably, dealers as collectors of antiques – we are using Roger Warner as a key example of the dealer/collector and have been lucky to have a number of objects loans from the private collections of Roger Warner’s family, Sue, Simon and Deborah. Here are a few of those objects, just being installed into the display cases at the gallery – a 19th century mousetrap and an 18th century teacaddy from the collections at Temple Newsam, and some wonderful small objects from Rogers’ personal collection.

Roger Warner objects at the Leeds University exhibition.

We also have an early 18th century chair from Houghton Hall, Norfolk, one of a set of six chairs that Phillips of Hitchin sold to various museums in 1960 – the Temple Newsam chair retains an 18th century green velvet cover.

Phillips of Hitchin chair unpacked and ready for placing in the exhibition at Leeds University.

The install is going well, and Katie Herington (my co-curator on this exhibition) together with Fred, our amazingly helpful gallery technician, and Jill and Laura, have been busy unpacking and placing the objects in the space.

Jill and Fred unpacking objects for the Leeds University exhibition.

Katie placing the 18th century chimney board in the Leeds exhibition.

There’s still lots to do of course, and we are waiting for Eugenie from the Brotherton Library Special Collections team to come by tomorrow to begin to place the antique dealer archive material in the display cases. We have some fantastic antique dealer archives in the exhibition, including some very early stock books, dating from c.1890 from Phillips of Hitchin archives; a fascinating sales book of the 1920s of the dealer H.M. Lee, Ronald A Lee’s father; and Roger Warner’s first sales book from 1936.  As well as a range of intriguing photographs of the dealers’ shops and of their stands at the world-famous Grosvenor House Antiques Fair from the 1950s and 1960s.

I hope that the ‘Antique Dealers’ exhibition at the Stanley & Audrey Burton Gallery will prove to be a success – there’s been a lot of work by a lot of people in the Brotherton Team and the Stanley & Audrey Burton Gallery to make this happen.

 

I’ll post another blog once the exhibition install has been completed, so you can see what it looks like – it opens on MONDAY 4th March and runs until 25th May 2019 – and it’s FREE!

Mark

 

 

 

 

November 11, 2018

New Donation to the Antique Dealer Project Research archives

The antique dealer research archives had a new addition last week, a bound copy of the very rare lithographed catalogues issued by the Nottingham antique dealer Samuel Richards in the late 1890s.  The catalogues came up for auction at Mellors & Kirk in Nottingham (appropriately) last May, and Ian Wilkinson, the Rare Book Specialist at the auctioneer very kindly alerted us to the forthcoming sale.  But thanks to the generosity of Simon Myers of the antique dealers R.N. Myers & Son, North Yorkshire, who also spotted the catalogue and offered to buy it and donate it to the Brotherton Library Special Collections, the catalogue is now part of the Brotherton Library Special Collections of antique dealer related archives and associated material.  Simon is the 4th generation of dealers in the firm that still bears his great grandfathers’ name – the business was also, like the business of S. Richards, trading in the 1890s, so it was quite fitting that Simon donated the catalogues.  Indeed, Simon has been a keen follower of the research project for a number of years, but his donation of the Richards catalogues was an exceptionally generous thing to do – he popped across to the Brotherton Library last week to hand over the catalogue, which is now available for researchers.

S. Richards, ‘Monthly Catalogue of Antiques, Curios etc for sale’ 1890-1899′. Photograph, copyright Mellors & Kirk, auctioneers, Nottingham, 2018.

The catalogues produced by Samuel Richards are exceptionally rare – the bound copies that Simon donated date from January 15th 1890 to March 15th 1899; there are a few examples (dating from 1890-1915) in the National Art Library at the V&A Museum, but there are no copies in the British Library – I know of two other copies in a private collection, but given the ephemeral nature of the catalogues (they were designed to be posted to collectors and are lithographed on very flimsy paper and can’t have been produced in any significant quantities), they must not survive in any numbers.

We are very encouraged by the support that many antique dealers have shown to the Antique Dealers Research project, and Simon’s generosity is a reflection of the wider support of the project over the past few years.

Mark

June 14, 2018

Antique Dealer Exhibitions & new material in the Phillips of Hitchin archives

As followers of the Antique Dealer blog will be aware, one aspect of the continued development of the Antique Dealer research project has been an investigation into the emergence and role of themed exhibitions staged by antique dealers over the course of the 20th century.  Indeed, as a platform for dissemination of information on antiques and as a mechanism for the marketing of antiques, these exhibitions very usefully draw attention to the deep synergies between structures of knowledge and the art market.  Dealers have regularly organised selling exhibitions of course – the famous ‘Summer Exhibitions’ held by the leading New Bond Street dealership Frank Partridge & Sons from the 1950s to the 1980s, were opportunities to showcase new stock and for the swish private preview parties for the exhibitions, which were significant events in the social calendar.  Such exhibitions were attended by the most influential collectors, museum curators, interior decorators and antique dealers.   But what is of particular interest to the research project are the more scholarly, thematic exhibitions that antique dealers have staged over the years. These exhibitions, which remain a regular part of the current practices of antique dealing at the top of the antique trade, demonstrate the discrete, focused and scholarly contributions that many antique dealers have made to the knowledge of antiques – such exhibitions have often been accompanied by museum-type catalogues composed by antique dealers who are acknowledged as leading specialists in their field.

We are very fortunate that in the recent additions to the Phillips of Hitchin archive (again very generously sent up to us in Leeds by Jerome Phillips, who found the extra material whilst tidying up some stores – thank you again Jerome!) we now have a range of material that illustrates the detailed planning and execution of a range of ground-breaking exhibitions held by Phillips of Hitchin during the 1970s and 1980s.  Jerome organised these immensely influential selling exhibitions on specific furniture types – a model, unsurprisingly, that was also being adopted in public museums such as Temple Newsam in Leeds at the time (see, for example the exhibitions on ‘School Furniture’ organised by the furniture history scholar Christopher Gilbert at Temple Newsam in 1978 and a similar exhibition at Temple Newsam on ‘Common Furniture’ in 1982).

The Phillips of Hitchin exhibitions in June 1981 and June 1984 (staged to coincide with the Grosvenor House Antiques Fair held each June (except 1981) in London) are key examples of these types of antique dealer exhibitions.  In 1981 the exhibition on ‘Dining Room Furniture 1730-1830’ was a scholarly project, with antique furniture placed in rooms to mirror the social use of the objects at the time they were made – rather like a ‘period room’ setting that was also so popular in museums at the time.

Phillips of Hitchin exhibition ‘Dining Room Furniture 1730-1830’ June 1981. Photograph Phillips of Hitchin archives, Brotherton Library Special Collections, University of Leeds.

Here’s another room at The Manor House, Phillips of Hitchin’s shop, with the assembly of some furniture suggestive of a more rustic dining space. The exhibition had a fully illustrated catalogue – Jerome remains a leading scholar on antique furniture and wrote many essays on the subject that appeared in publications such as Antique Collector; it’s also worth mentioning that in 1978 Jerome composed the new Introduction to the reprint of R.W. Symonds Masterpieces of English Furniture and Clocks (first published in 1940).

Phillips of Hitchin exhibition ‘Dining Room Furniture 1730-1830’ June 1981. Photograph, Phillips of Hitchin archives, Brotherton Library Special Collections, University of Leeds.

Phillips of Hitchin’s exhibitions on dining furniture might be considered as relatively conventional, and of course they were more than just museum-type scholarly projects and also offered the opportunity for potential buyers to imagine new schemes for their dining rooms.   Jerome’s next exhibition, in June 1984, was of a type that was more ground-breaking, for the antique trade at least (as I mentioned, museums such as Temple Newsam were already organising exhibitions focused on specialist furniture types in the 1970s).  The ‘Travelling and Campaigning Furniture 1790-1850’ exhibition in 1984 involved considerable primary research and was again accompanied by a catalogue with a discursive essay on the historical development of travelling and campaigning furniture.

Phillips of Hitchin catalogue for Exhibition of Travelling and Campaigning Furniture 1790-1850.

 

The Travelling and Campaigning Furniture exhibition was obviously more specialist in nature, as I imagine was the audience for the exhibition – specialist collectors of ‘metamorphic’ furniture and museum curators perhaps? But the exhibition itself was a considerable success, according to the detail in the Phillips of Hitchin archives on the exhibition.  Indeed, reading the archive one cannot but admire the research and the time and effort that went into the planning and delivery of these exhibitions.

Phillips of Hitchin exhibition ‘Travelling and Campaigning Furniture 1790-1850’ June 1984. Photograph, Phillips of Hitchin archive, Brotherton Library Special Collections, University of Leeds.

The new parts of the Phillips of Hitchin archive contains numerous photographs of the actual exhibitions, together with correspondence and supplementary detail on the planning of the exhibitions themselves – it’s a wealth of material that helps us to understand the objectives and complex nature of these scholarly and selling events.

Phillips of Hitchin exhibition ‘Travelling and Campaigning Furniture 1790-1850’ June 1984. Photograph, Phillips of Hitchin archive, Brotherton Library Special Collections, University of Leeds.

One further thing, and something that also demonstrates the richness of the archives that Jerome so generously donated to Leeds University, is that Jerome also saved the object labels from the exhibition! …..and here’s just one of a number of those labels from an object from the ‘Travelling and Campaigning Furniture 1790-1850’ exhibition.

Phillips of Hitchin exhibition ‘Travelling and Campaigning Furniture 1790-1850’ June 1984, object label. Phillips of Hitchin archive, Brotherton Library Special Collections, University of Leeds.

There’s more to say about the significance of these scholarly selling exhibitions organised by dealers such as Phillips of Hitchin and we are fortunate to have such archive material to help us to continue to explore and analyse the cultural history of the British antique trade.

Mark

 

September 24, 2017

New Archive – M. Turpin Antiques

Thanks again to the generosity of our wide community of friends and supporters we have accepted the donation of the partial archive of the well-known antique furniture dealer M. Turpin.  Maurice ‘Dick’ Turpin (1928-2005) established his business in the early 1950s, initially in Old Brompton Road, Knightsbridge, London, before gravitating towards the Mayfair area and settling in Bruton Street by the 1990s – a street which at that date was also the location of R.A. Lee & Sons, whose archive is also now part of the collection of Dealer archives at Leeds.  Indeed, the M. Turpin archive is a great addition to the growing number of antique dealer archives now at the Brotherton Library Special Collections at the University of Leeds.

We have many people to thank for the M. Turpin archive coming to Leeds University – the archive has been very generously donated through the auspices of Bonhams Auctioneers (and special thanks to the help of the Bonhams team at Leeds Office, Jane Winfrey, Jackie Brown, and Simon Mitchell; and Alison Hayes in their London office). The initial donation to Leeds was facilitated by Sally Stratton and Guy Savill, whilst they were at Bomhams London office (and they are now heading up the new auction business The Pedestal). I understand, from Sally, and from our previous project Research Fellow, Elizabeth Jamieson, that the original donation was through Jackie Mann, Maurice’s partner – so there are quite a few people to thank for ensuring that this important archive is saved for future generations of researchers – thank you all!

The M. Turpin archive itself mainly consists of a large series of fascinating photographs of stock sold by the firm; there are literally 1000s of B/W and colour photographs. Unfortunately there are no stock book or business records, but that said, the material donated to us gives a fascinating insight into a major antique furniture business over the course of 30+ years of trading.  There are, for example, photographs of the stands that M. Turpin took at various antiques fairs in the period. Here’s a B/W photograph of the stand of M. Turpin at the Maastricht antique fair in 1979.

M. Turpin, Maastricht Antique Fair 1979. Photograph courtesy of the Brotherton Library Special Collections, University of Leeds.

And another photograph, this time in colour, of M. Turpin’s stand at the same fair in 1988 – a much larger stand, with many more objects, indicative of the success of the business no doubt.

M. Turpin, stand at Maastricht Antiques Fair, 1988. Photograph courtesy of the Brotherton Library Special Collections.

Amongst the many wonderful and historically significant objects that passed through the firm of M. Turpin was this flamboyant Regency period polychrome penwork cabinet – probably well-known to many people.

Regency Penwork Cabinet – M. Turpin archive, Brotherton Library Special Collections, University of Leeds. Original photograph copyright P.J. Gates, London.

The cabinet was purchased by Maurice Turpin in the 1980s, and seemed to have remained with him until it was sold at the auction sale by Christie’s of the M. Turpin Collection in 2006, after his death – (see Christie’s The Legend of Dick Turpin 9th & 14th March 2006), where it sold for £78,000.  This history is, of course, well known in many circles, but what is perhaps less well known, and revealed in some of the discrete sections in the M. Turpin archive, is the history of the restoration of the cabinet.  The Turpin archive contains a large number of restoration records for a wide range of objects that were either part of stock/collection of M. Turpin, as well as, it seems, records of restorations to many other objects belonging to collectors and dealers.  These make fascinating reading.  The penwork cabinet, for example, appears to have suffered minor damage to the cornice at some stage – here’s a photograph of the record in the archive.

Restoration Record – Penwork Cabinet: M. Turpin Archive, Brotherton Library Special Collections. Photograph copyright Brotherton Library Special Collections.

Restoration Record – Penwork Cabinet. M. Turpin Archive, Brotherton Library Special Collections, University of Leeds. Photograph copyright Brotherton Library Special Collections.

Other restoration records provide valuable insight into the processes of restoration and the changing taste and fashion for the presentation of antique objects – here, for example is the record of the cleaning and minor restoration to an early 18th century walnut stool.

Restoration Record – M. Turpin Archive. Brotherton Library Special Collections, University of Leeds. Photograph copyright Brotherton Library Special Collections.

It is a great pity that the actual business records and stock books for M. Turpin do not survive (unless someone knows where they are?), but this very extensive photographic archive, and the fascinating series of restoration records, will, I’m sure, be invaluable for future research into the history of the antique trade.  The M. Turpin archive will soon be catalogued and made available for research, so keep your eyes on the Brotherton Library Catalogue online.

Mark

 

August 25, 2017

UGRLS Trip to the British Library

As part of my UGRLS project, I’ve been researching purchases made by Charlotte Shaw, the wife of George Bernard Shaw, which led me to take a research trip to the British Library in London. Through my work with the stock books held in the Brotherton Library Special Collections I came across a number of purchases made by a person named Shaw, thus the research trip was to corroborate these findings by locating these purchases in the diaries and chequebook stubs of Charlotte. I was aided greatly in this endeavour by Alice McEwan from Shaw’s Corner, a National Trust property I’ll be visiting shortly to gain a deeper insight into the Shaw’s.

I had neither been to the British Library before, nor undertaken a research trip before, so I found the two days I spent there greatly beneficial in developing my research skills and introducing me to one of the most valuable resources an historian can access. Perhaps the most striking thing I encountered upon my first visit was the King’s Library, which is impossible to miss and personally, I found it amazing that such a range of material is stored in one place. Especially when one considers the material stored within this, such as some of the earliest examples of the printing press and rare copies of the Bible. I have included some photographs I took on my visit below, which to me help to convey the size and scale of the British Library.

British Library Exterior

Photograph of the exterior of the British Library

King's Library

Photograph of the King’s Library within the British Library

 

Whilst the quantity of references Alice and I found was far less than we had anticipated, I still found the trip to be successful to myself in other ways. For example, through reading Charlotte’s diaries and chequebook stubs I gained a further insight into her tastes for interior decorating. This allowed me to remove the purchase of some pink carpet from my research on purchases made by a Shaw in the Phillips of Hitchin stock books, as it seemed highly unlikely this was bought by Charlotte. Furthermore, we discovered another item for me to research further through discovering a reference to chair covers. Within Shaw’s corner, there is a chair cover and several pieces of fabric in the Nonesuch pattern offered by Phillips (see photograph below), which led us to believe there is the possibility that these items of fabric were purchased from Phillips of Hitchin. This will require further research on my behalf, as I have encountered a reference to the sale of the Nonesuch pattern previously. There is also the possibility that the purchaser of said fabric was not noted down, making the task that Charlotte purchased this from Phillips slightly more difficult.

 

Nonsuch

Photograph of the Nonesuch pattern offered by Phillips of Hitchin.

 

I also found the fact that we failed to find more references in Charlotte’s documents to Phillips to be helpful, as it was the first time I have encountered this issue. Research can often lead to disappointment, when the documents you are looking for may no longer exist or you encounter evidence that mostly contradicts your theory, and so learning how to manage this and create new solutions is a valuable skill to learn. I also found it highly beneficial to learn how to utilise the British Library before I begin more in-depth research as part of my degree, and the insights I gained from Alice regarding post-graduate study were incredibly valuable. To that end, I am greatly looking forward to visiting Shaw’s Corner to learn more about both the items within the house and the Shaw’s themselves, as well as continuing my research in the Phillips of Hitchin archives to locate the sale of several items of furniture and the Nonesuch fabric.

 

Liv

 

 

 

 

July 27, 2017

Stair & Andrew material comes to the archive at Brotherton Library Special Collections, University of Leeds

Following the blog post highlighting the recent donation of the H.M. Lee and R.A. Lee archives (see previous blog post), we discovered that mixed in with the material that Georgina Gough so kindly donated to the University of Leeds was some material related to the well-known antique dealers Stair & Andrew.  Its not known how this material ended up in the Lee archive, perhaps one of the directors at Stair gave Ronald Lee the material when the firm of Stair & Co (as the business was then called) closed in the early 2000s?

Stair & Co album. Brotherton Library Special Collections, University of Leeds.

The material is relatively small, comprising  just three albums of press cuttings, advertisements and some brochures, dating mainly for the period from the 1940s onwards; it includes a folder devoted to the firm of R.L. Harrington (formerly known as Christy’s of Kent), trading from 120 & 125 Mount Street, London, which Stair & Co acquired in 1968

Stair & Co album. Brotherton Library Special Collections, University of Leeds,

The firm of Stair & Co were highly significant dealers, having been established in London as Stair & Andrew in 1911, before opening a branch in New York in 1914. The business was founded by Arthur Stair and Valentine Andrew, who met at the furniture makers Waring & Gillow, before working for the decorating department at Crawford Company, New York.

The actor-manager and collector Sir George Alexander and the furniture historian and collector  Percy Macquoid  were directors of the firm in the early days of the business; Arthur Stair bought Percy Macquoid’s ‘Yellow House’ in London in the 1920s, retaining some of Macquoid’s furniture collection. Alastair Stair (1913-1993), the son of Arthur Stair, joined the firm in 1935. They traded as Stair & Co after WWII, and was 50% owned by the collector Jules C. Stein (of Music Corporation of America) from 1952. David Murdock, the Los Angeles financier, bought the firm in 1981.

The Stair & Co material will, eventually, be supplemented by some other Stair & Andrew material already promised to the archive – see an early blog post on the antique dealer blog (post July 2014) – here’s an image of one of the two scrapbook albums promised to the Brotherton Library Special Collections.

Stair & Andrew album, c.1915. Private Collection.

This small collection of Stair & Co material will soon be available for research in the Brotherton Library Special Collections.

Mark

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