Interest in the antiques dealer and art market archives continues to grow. The archives, as readers of the blog will probably know, are part of the Centre for the Study of the Art and Antiques Market (CSAAM) here at the University of Leeds, and are deposited in the Brotherton Library Special Collections You can read about the archives deposited, and promised, to the CSAAM in the archives pages on the CSAAM website – click CSAAM.
The latest addition, thanks to the extraordinary generosity of the Executors of the estate of late Anthony J. Evans (1954-2008) the well-known scholar and collector of Chinese Ceramics, and Michael Evans the brother of A. J. Evans, is a selection of provenance material, biographical information and related material associated with the collections of Chinese ceramics assembled by Anthony J. Evans. The material has already been catalogued by the team at the Brotherton Library Special Collections (thank you to Karen Sayers, archivist at the BLSC) and is available for consultation – the catalogue record is MS2071 – 1/2/3 – it’s certainly worth a look!
The archive material donated to the university is mainly devoted to the dispersal auction sales of the A.J. Evans collection at Bonhams auctioneers in London in November 2011. These collections were primarily of Chinese ceramics, something for which Anthony had a special interest and was a world-leading scholar and author. The market for Chinese ceramics is, as many will be aware, very strong in particular areas, but perhaps it’s surprising (to some…including me!) how valuable some early 20th century Chinese ceramics can be? A.J. Evans certainly had a very good eye!…For example, this Republic Period (1912-1949) plaque achieved £240,000 at the Bonhams sale in 2013 –

Republic Period Chinese polychrome plaque, from the A.J. Evans Collection. Photograph, Bonhams Auctioneers, 2011.
And this rare pair of fan-shaped plaques c.1900-1920, decorated and signed by Pan Taoyu (c.1887-1926) made an even more spectacular £360,000 at the Bonhams auction sale of the A.J. Evans collection.

Rare pair of fan-shaped plaques c.1900-1920 by Pan Taoyu (c.1887-1926) from the A.J. Evans Collection. Photograph, Bonhams Auctioneers, 2011.
I hope this whets your appetite to take a look at the archive information on the A.J. Evans collection; it has been meticulously assembled by Michael Evans and includes all the dealer invoices for the objects that Anthony collected, as well as biographical information and copies of the auction sale catalogues and provenance notes composed by Anthony J. Evans himself – it is an extraordinary resource for future scholars and researchers on the history of the art market, and the history of the taste for collecting Chinese ceramics in particular. Our warm thanks go to the Executors of the Estate of Anthony J. Evans and Michael Evans for donating this fascinating material to the CSAAM and the Brotherton Library Special Collections.
NOTE: (and thank you to Michael Evans and Dominic Jellinek for pointing out the initial error on the first posting of this blog – the A.J. Evans (below) is in fact a different individual from Anthony J. Evans (above) – but it is quite an interesting coincidence that there are 2 collectors of Chinese works of art, both called A.J. Evans, and both collecting in the same period, and both with auctions of their collections around the same time!…)
Anyway – this other A.J. Evans was a also celebrated collector of Chinese works of art, a taste he seems to have inherited from his father Frederick Evans, who worked for an Anglo-Chinese mining company in China during the 1920s. Anthony Evans inherited a range of early Chinese ceramics from his father, including this early 18th century polychrome decorated bowl (below), which was sold at one of the auction sales of A.J Evans collection at Canterbury in Kent in 2013, where it realised £235,000.

Early 18th Century Chinese Bowl from the A.J. Evans Collection. Photograph, Canterbury Auctions, Kent, 2013.
Thanks again to Michael and Dominic for pointing out the initial error!
Mark