Posts tagged ‘AHRC’

November 23, 2019

Year of the Dealer In Conversation event at Lady Lever Art Gallery

The first of our THREE In Conversation events as part of the AHRC funded ‘Year of the Dealer’ project (2019-2020) was held at the Lady Lever Art Gallery, Port Sunlight, near Liverpool on Thursday 21st November -there are TWO further In Conversation events; one at Temple Newsam, Leeds on Thursday 23rd April 2020; and a final In Conversation at the Victoria & Albert Museum, London, on Thursday 7th May 2020.

The In Conversation events are themed around an on-going, public-facing conversation on the historical and contemporary relationships between the art market and museums and the wider research project to investigate the history of antique dealing in Britain in the 19th and 20th centuries – a subject explored in the original AHRC funded project ‘Antique Dealers: the British Antique Trade in the 20th century, a cultural geography’ (2013-2016) and the various research initiatives and projects that both underpinned and have been subsequently developed from, this fascinating and previously very little studied area of British cultural life – you can of course follow all the projects associated with this strand of research in our new project website ‘Antique Dealers’ at the University of Leeds.

Our In Conversation at the Lady Lever Art Gallery was focused on the collecting activities of William Hesketh Lever (1851-1925), the founder of the Lady Lever Art Gallery – with a theme of collecting and the art market ‘Then & Now’ – the market for decorative art (or Antiques as one might also call them) in the late 19th and early 20th century and the market for decorative art/antiques today. We had a very distinguished panel of experts for the In Conversation – from right to left in the photograph below are Sandra Penketh, Director of Art Galleries and Collections Care at National Museums, Liverpool; Robin Emmerson, curator emeritus, Lady Lever Art Gallery; Colin Simpson, Principal Museums Officer, Wirral Museums; Prof Nick Pearce, Professor of Art History at Glasgow University; Peter Woods, antique dealer and collector and me – Mark Westgarth, University of Leeds.  We also had an excellent and packed audience of interested and interesting people – including lots of people from the local area and with associations with the Lady Lever Art Gallery – but it was good to see people from much further afield too – some had travelled all the way from London and the South East of England! Thank you to everyone on the Panel and everyone who attended for making the event such a success!

In Conversation at the Lady Lever Art Gallery, 21st November 2019.

The discussion and debate was lively and informative, with each of the participants on the Panel offering reflections on the art market, collecting and museums from historical and contemporary perspectives (from various ‘stakeholders’ if you like – museum professionals, academics, and professional antique dealers and collectors) .  There were also some great questions from the assembled audience.  I don’t think we exhausted the theme at all (certainly not in the relatively short time we had for the ‘In Conversation’) – indeed, its just as well we have many more events and activities as part of the ‘Year of the Dealer’ project!

It was great to see the project had so engaged the participants, and bodes well for future events.  I’d like to thank everyone at the Lady Lever Art Gallery – Sandra Penketh, Alyson Pollard, Dave Moffat – and the events team at Lady Lever – Joel, Caroline, Nina and Kimmi – and all the support staff, for all of their help with the development and delivery of the In Conversation.  And of course the Year of the Dealer project team, Eleanor, Vanessa, Simon and Gemma, for all their hard work too.

Do keep a look out for future events as part of the ‘Year of the Dealer’ project each of the In Conversation events are free to attend (bookings will open soon for the Temple Newsam and V&A Museum events) – we also have a wine reception for each on the In Conversations (if you needed any further incentive to come along of course!).  We hope to see you at Temple Newsam and at the V&A Museum next year.  Do keep you eye on the events pages on the Year of the Dealer project website.

Mark

October 31, 2019

Year of the Dealer – Opening Event 21st November 2019

The first event as part of the year-long AHRC-funded ‘Follow-on’ ‘Impact and Engagement’ project ‘SOLD! The Year of the Dealer: antique dealers, art markets and museums’ takes place at the Lady Lever Art Gallery on THURSDAY 21st November at 6.00pm until 8.00pm.  The event is FREE – and we also have a free wine reception at 6.00pm – everyone is welcome and you can book your place online at either the Lady Lever Art Gallery website or the YoD Website at the University of Leeds.  Here are the links:

YoD In Conversation Lady Lever Art Gallery bookings.

YoD In Converstaion YoD project website bookings.

The YoD project seeks to disseminate the rich seam of research on the history of the antique trade through a series of public engagement events, activities and public museum heritage trails. The collaborating partners are The Victoria & Albert Museum, London, The National Museum, Scotland, Edinburgh, The Bowes Museum, Barnard Castle, Temple Newsam, Leeds, The Lady Lever Art Gallery, Liverpool, The Ashmolean Museum, Oxford and Preston Park Museum, Stockton. We also have as cultural partners, The Witham Community Arts Centre, Barnard Castle, and The Stanley & Audrey Burton Gallery, University of Leeds; together with one of the world’s leading antique dealers, H. Blairman & Sons, London. The project aims to draw attention to the relationships between the art market and public museums and to share expertise, experience and perspectives among stakeholders.  It aims to increase public engagement with the significance of the history of the antique trade in British cultural life.

Our event at the Lady Lever Art Gallery is an ‘In Conversation’ event, which brings together museum curators, academics and art and antique dealers with expert knowledge of the collections at the Lady Lever Art Gallery to discuss and debate the theme of ‘Collecting, Then & Now’. We have brought together an expert panel, including, Professor Nick Pearce, Glasgow University, Robin Emmerson, former curator at the Lady Lever Art Gallery, Sandra Penketh, Director of Galleries, Liverpool, Colin Simpson, Curator, Williamson Art Gallery & Museum, Peter Wood, Antique Dealer & Collector, and Dr Mark Westgarth, University of Leeds.

The questions to be addressed in the ‘In Conversation’ are based on the premise that in the late 19th and early 20th centuries William Hesketh Lever, later 1st Lord Leverhulme, assembled vast collections of antique furniture, decorative objects and paintings, some of which formed the Lady Lever Art Gallery 1922, dedicated to his late wife Elizabeth, but how and what did Lever collect in the early twentieth century?….and if assembling his collections today, what would Lever acquire?…..and what was kind of art market did Lever encounter in the early twentieth century and what kind of art market would Lever encounter today?

We hope it will be a lively and interesting discussion – and of course there is plenty of time to ask questions during the final section of the In Conversation.  Do come along, have a glass of wine and listen to what we hope will be a fascinating debate.

The scehudule for the event is:

6.00pm – Welcome, with wine reception

6.30pm – In Conversation

7.20pm – Questions from audience

8.00pm – Close

Hope to see you at the Lady Lever Art Gallery on 21st November; and do look out for future events in the Year of the Dealer project over the coming months.  Keep your eye on the Year of the Dealer project website – Year of the Dealer at Leeds.ac.uk

Mark

 

 

 

June 26, 2019

Year of the Dealer starts!

We are very excited to announce that the ‘Year of the Dealer’ project has officially started – the new project website is being constructed (thanks to Peter Edwards in University of Leeds, Arts, Humanities & Cultures Faculty IT team) – you can see the new website here – Year of the Dealer website 

The ‘Year of the Dealer’ project is a collaboration between the University of Leeds, the University of Southampton, 7 major national and regional museums (The Victoria & Albert Museum, The National Museum, Scotland, The Ashmolean Museum, The Lady Lever Art Gallery, The Bowes Museum, Temple Newsam, Preston Park Museum and the Stanley & Audrey Burton Gallery), together with a regional community theatre (The Witham, Barnard Castle) and one of the UK’s leading antique dealing businesses (H. Blairman & Sons). The project runs from 1st June 2019 until 31st May 2020 and is an ‘Impact and Engagement’ project funded (£100,000) by the Arts and Humanities Research Council (AHRC). Over the next 12 months  the Year of the Dealer will be organizing a series of events, activities and museum object trails, using the research arising from the AHRC funded (£231,592) research project ‘Antique Dealers: the British Antique Trade in the 20th century’ AH/K0029371/1 (2013-2016).

C. Charles, Brook Street shop interior, c.1903. Photograph, Connoisseur 1903.

Through these events and activities the project aims to draw attention to the relationships between the art market and public museums and to share expertise, experience and perspectives among stakeholders and to increase public engagement with the significance of the history of the antique trade in British cultural life.

The Year of the Dealer will reveal new and previously marginalised stories of world-renowned and familiar museum objects through the co-production of a series of 7 museum ‘hidden history’ trails; each trail will have a curated selection of up to 20 museum objects foregrounding the history of antique dealers in the biography of the museum object.  So, for example, at The Bowes Museum, we will be drawing renewed attention to some of the museum objects by telling the story about the antique dealers who sold the object to the museum – this rare pair of gilded bronze lamps, made by William Collins in 1823………..

One of a pair of gilded bronze lamps at The Bowes Museum. Photograph, antique dealers project 2018.

…………………..will be reinterpreted through the Year of the Dealer trail in the museum as a pair of lamps sold to the Bowes Museum in 1960 by Stanley J. Pratt, a leading antique dealer then trading in ultra-fashionable Mount Street, London.  How Pratt acquired the lamps and how they ended up at The Bowes Museum will be key elements in the ‘story’ about the objects. Stanley Pratt came from a well-known family of antique dealers dating back into the 19th century; indeed the Pratt family of dealers were established, according to their own publicity, in 1860, and so sold the lamps to The Bowes Museum in their centenary year!

Advertisement by Stanley J. Pratt illustrating the pair of gilded bronze lamps. Connoisseur, June 1960.

Besides the 7 museum trails, the project will also stage 4 art market themed knowledge exchange workshops and 3 public engagement ‘In Conversation’ events, hosted by the partner museums. The workshops will consider the relationships between the art market and public museums, drawing in historical and contemporary perspectives and will also consider the challenges and future opportunities for the relationships between museums and the art market.  The ‘In Conversation’ events invite key art market professionals, museum professionals, academics and commentators to discuss and debate the subject of the art market and public museums – all the events will be free, thanks to the Arts and Humanities Research Council (AHRC) funding.

Other activities as part of the Year of the Dealer project include museum front of house staff and volunteer training workshops at each of the 7 partner museums to ensure that the project research and objectives are disseminated and cascaded to the front-line interface with the public.

We will also be re-staging the play ‘Quinney’s (1915) at the Witham Theatre, Barnard Castle, and are organizing an associated workshop, ‘Dealing with Authenticity’ at The Bowes Museum, Barnard Castle.

Poster for Quinney’s production at Birmingham Theatre, 1925.

‘Quinney’s’ is the story of the fictional antique dealer Joseph Quinney. The play and the workshop aim to critically engage the general public with the central role that ‘authenticity’ has played in the art market, and to explore and critique the trope of the antique dealer as a problematic character, often associated with fakes and forgeries and the ‘love of money’. The workshop will be interdisciplinary in scope, drawing on theatre and performance studies and material culture studies as well as the history of antique dealers.

As you can see, there are plans for a very rich series of events, activities and collaborations over the course of the Year of the Dealer project – but we have a great team to help deliver the project – my colleague from University of Southampton, Dr Eleanor Quince, and Vanessa Jones, our project administrator, and my colleagues at the University of Leeds, Professor Jonathan Pitches and Dr George Rodosthenous, and of course all of the curators and staff at the all 10 collaborating partners and a small team of PhD research students to help keep the project on track!……it’s no doubt going to be exhausting, but we hope it will also be a really engaging project…and one that will have real Impact!

We hope to see you at some of the events – we already have some events fixed in the project calendar…so do keep an eye on the project website and the antique dealers research blog.

Mark

June 27, 2015

Publicity for the Project

We’ve had some great publicity for the project in the last week or so, following the launch of the project interactive website on 15th June – thanks again to Gareth and the Press Team at University of Leeds, and Peter and the Press Team at the University of Southampton, and to Ivan Macquisten at Antiques Trade Gazette, and to Christopher Wilk at the V&A, Mark Dodgson at BADA, and Chris Jussel…..

Here are some of the avenues through which the project was disseminated – (as Director of Impact in our School at the University of Leeds it’s always good practice to capture who is saying what about our research!)….and so, in no particular order…

We made FRONT PAGE of the University of Leeds on 15th June:

Screenshot 2015-06-27 13.03.19

Screenshot 2015-06-27 13.04.22

We made FRONT PAGE of the University of Southampton website on 25th June:

Screenshot 2015-06-27 14.16.42

We made PAGE 3 of the Antiques Trade Gazette on 16th June:

Screenshot 2015-06-27 12.57.55

We made FRONT PAGE of the AHRC website on 15th June:

Screenshot 2015-06-27 13.02.04

We made PAGE 3 of the Yorkshire Post on 16th June:

Yorkshire Post 16 6 15

We made FRONT PAGE of the School of Fine Art, History of Art & Cultural Studies at University of Leeds on 20th June:

Screenshot 2015-06-27 13.05.42

We made the BLOG PAGE of Patrick Sandberg Antiques website on 16th June:

Screenshot 2015-06-27 12.59.45

We made the BLOG PAGE of Pieces of Time website on 16th June:

Screenshot 2015-06-27 13.01.04

We were also mentioned on BBC Radio Leeds on 20th June, by auctioneer Gary Don in an interview on the Nick Ahad Show – ‘Leeds is at the centre of the antiques trade again’, as they said…

As well as various Tweets and ReTweets into the ether!…

Thank you all for raising awareness of the project!

Mark

June 15, 2015

Project Interactive Website Launched

The project Interactive Website has finally been officially launched!

On Monday 15th June, with a major publicity push from the University of Leeds and the University of Southampton, the two collaborating universities involved in the Antique Dealers project, and with a forthcoming announcement in the Antiques Trade Gazette – we’ve made the interactive website available to the wider public. You can read the University of Leeds Press Release here – Mapping%20the%20history%20of%20antiques%20dealers%20FINAL Thanks to Gareth Dant, Press Officer at University of Leeds for composing the Press Release.

And the University of Southampton Press Release here –Mapping%20the%FINAL SOTON

The Interactive website is one of the 3 main outputs of the AHRC funded Antique Dealers research project – the other outputs will be an edited book (edited by Westgarth, Quince and Jamieson), and the end of project Conference, (and for which we thank again the support from Leeds Museums & Galleries), which will take place next Spring at Temple Newsam House, Leeds (keep your eye on the blog for more details on the conference).

Screenshot 2014-01-30 15.10.18

Screen Shot of the Interactive Website. Copyright, University of Leeds 2015.

The website has been long in development and thanks to Mark Wales (‘Sparky’) of Small Hadron Collider, who has been working on the software programming for the site for the past 18 months, we now have an amazing research database, and research resource, for future investigations into the history of the Antique Trade in Britain, in the 20th century.

Using the search engine embedded within the site, or clicking on the DOTS on the map, you can find information on Antique Dealers trading in the 20th century. Below is a screen grab for a dealer trading in Southampton (see little red dot on the map) – Thomas Rohan, who was trading at 105 High Street, Southampton in the period c.1903-1918.slide700-3

The interactive website is still in development, and we’ve launched it as BETA version (i.e. we are testing it for feedback and suggestions on functionality and ease of use etc). At present, at least, there’s not that much data in the site…only c.2,100 entries…and we reckon there should be, eventually, about 100,000 entries in the site.  But we hope that the site will give people a sense of the amazing possibilities that emerge when one thinks about what it COULD do.

We eventually hope that each Dealership will  have a mini-biography, such as that in the Rohan entry already in the site – see below:

rohan-bio-screengrab

 

The site uses GPS (Google Maps) technology to track the changing locations of Antique Dealers, based in Britain, over the period 1900-2000 – but it is more, much more, than just a geographical mapping site.  We have built a temporal-spacial tracking system in the site that will trace the genealogy of not just Antique Dealers, but also the objects that they sold, and which, at the same time, establishes a whole series of spacial-temporal networks and relationships between, people, things, and ideas – this, we think, is the uniqueness of the website resource!…

We’ve had fantastic support from various people and organisations as we have developed the project and the interactive website; here are just a few examples of messages of support:

Project Advisory Board member, Christopher Wilk, Keeper of Furniture, Textiles and Fashion at The Victoria & Albert Museum, said “This is an important and innovative project which points the way towards a serious consideration of modern antique dealing. The methodology of the project is innovative, not least in its mixture of oral history, archival research and cultural geography.”

And Chris Jussel, an interviewee of the Oral History part of the Antique Dealer project (see earlier posts) and formerly of the major international antique dealers, Verney & Jussel, and well-known as a former Presenter for the US version of the Antiques Roadshow, said: “Throughout most of the 20th century the British Antiques Trade was the driving force in presenting what were originally termed ‘old things’ to the public. Collectively the appreciation for, the collection of, the scholarship and knowledge of antiques largely emanated from the trade. That was where the expertise resided. No major private or museum collection of antiques was formed without the trade. This long overdue academic study is a testament to that era.”

And finally, Mark Dodgson, Secretary General of The British Antique Dealers’ Association, said: “The concept of an interactive website charting the historical locations of antiques shops and the movement of beautiful objects from collectors to dealers and into museum collections should prove fascinating for anyone interested in the history of the decorative arts.
“The UK has always been one of the world’s most significant locations for the trade in antiques, whether English furniture or Chinese ceramics. It is therefore fitting that a British university should have undertaken a study into this important aspect of our national life.
“I know that antiques dealers are often keen to check the historical ownership of important items they sell – referred to in the trade as the “provenance” – to back up their own judgements about the age and origin of pieces. The new website will provide them with an excellent tool for checking where and when dealers were trading in the past, so adding to the information they can provide to antique collectors about their purchases.”

We hope that you will enjoy using the Interactive Website – (click HERE to go to the site)

Do send us feedback on what you think about the site, and any teething problems.

Mark

 

October 25, 2013

The Antique Dealers project blog goes LIVE

Welcome to the Antique Dealers AHRC project blog – we’ve set up the blog to allow anyone, anywhere, to follow and to contribute to the research project, so do sent us a note to antiquedealers@leeds.ac.uk for an invitation to post a blog entry!

Mark, Eleanor and Lizzy (Project Team)

invoice from Adams antiques

Invoice from Adams, Antique Dealer, Edinburgh and New York, 1907

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Home Subjects

a working group dedicated to the display of art in the private interior, c. 1715-1914

The Period Room: Museum, Material, Experience

An International Conference hosted by The Bowes Museum and The University of Leeds

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A research project investigating the history of the antiques trade in Britain in the 19th & 20th centuries

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'Museum Studies Now?' is an event which aims to discuss and debate museum and heritage studies education provision.

The Burlington Magazine Index Blog

art writing * art works * art market

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A research project investigating the history of the antiques trade in Britain in the 19th & 20th centuries