Posts tagged ‘Antique Oak Furniture’

July 11, 2026

S.W. Wolsey – Photo Archive – the ‘Lovely Hall’ bed

Whilst our ‘Behind the Scenes of the Year of the Dealer’ posts are ongoing for the next 12 months we thought the blog also needs to continue to post our research updates on the antique dealer research project. So, this blog post focuses on one of our usual themes of stories and information from the antique dealer archives. This time it’s the famous dealer in antique oak furniture and related objects, S.W. Wolsey (1895-1980).

We were recently very fortunate to receive a donation of a large number of albums of photographs (of antique oak furniture and objects) that formed the stock of S.W. Wolsey. The albums were kindly donated to the project by Richard Marshall, who recently administered the Estate of the Luff family – thanks again to Richard! Peter Luff was a great friend of Sam Wolsey – Luff and Wolsey wrote a well-known book, Furniture in England: The Age of the Joiner (Arthur Barker Ltd., London, 1968). Indeed, several photographs in the Wolsey archive photograph albums donated by Richard Marshall were also used in the Furniture in England book.

Furniture in England, The Age of the Joiner – S.W. Wolsey & R.W.P. Luff (1968). Image, Antique Dealer Research Project, University of Leeds.

We have posted on S.W. Wolsey on the research blog before (see blog post S.W. Wolsey and Peter Luff 31st December 2020), but just to remind readers, Samuel Wilfred Wolsey was one of the leading dealers in antique oak furniture in the middle decades of the 20th century; the photograph albums contain images of some of the most important oak furniture that passed through the firm of S.W. Wolsey, many of which are now in prominent public museums.

There are scores of objects to highlight in the photograph albums but one example stands out as particularly interesting – especially as it has a long history going back to the start of the ‘modern’ antique trade in the opening decades of the 19th century (see my book The Emergence of the Antique and Curiosity Dealer 1815-1850: the commodification of historical objects (Routledge, 2020), pp.61-72, if you are interested to read more about this.

The object in question is the ‘Lovely Hall’ bed – a 16th century four-post bed that was first illustrated in Samuel Rush Meyrick and Henry Shaw, Specimens of Ancient Furniture (1836) – (see below).

S.W. Wolsey advertisement for the sale of the ‘Lovely Hall’ bed, June 1961. Photograph, Antique Dealer Research Project, University of Leeds.

In Specimens of Ancient Furniture (1836) the bed was described by Samuel Rush Meyrick as ‘Bedsted of the Time of Henry the Eight, in the possession of the Rev. Wm. Allen, Lovely Hall, near Blackburn.’ Meyrick’s description continues – ‘This interesting example, which unfortunately has lost its true cornice, no doubt highly enriched, was observed by Mr. Allen in the course of his professional duties, in administering to a dying parishioner the last consolations of religion, and purchased by him after the decease of the sick person from his heir.’ (Specimens, (1836), p.39).

Lovely Hall, Salesbury, near to Blackburn in Lancashire, dates from c.1600 and was owned by the Starkie family from the 1750s until the 1960s, so perhaps Rev. Allen rented the hall from the Starkie family. The bed was transferred to Holme Cliviger Hall, near Burnley, also in Lancashire, sometime after the 1830s, becoming property of the Whittaker family who owned Holme Hall.

Holme Cliviger Hall (also known as Holme Hall). Image from Robert Wade photostream.

Despite the bed being illustrated in Specimens in 1836 it seems to have been unrecorded again until it appeared on the market in 1960, when it was acquired by S.W. Wolsey. According to some notes by S.W. Wolsey associated with the S.W. Wolsey photograph albums, Wolsey acquired the bed from direct decedents of the Whittaker family. This may be true, but the Whittaker’s sold Holme Hall in 1950 and Wolsey bought the bed from a private collector then living in Putney in South West London (who was not called Whittaker, but may indeed have been a member of the family). The collector had advertised the bed ‘For Sale’ in Apollo magazine in March 1960 (see below) mentioning that the bed was ‘lately from the Holme near Burnley’.

Advert for the sale of the bed, Apollo, March 1960. Image, Antique Dealers Research Project, University of Leeds.

Wolsey displayed his important purchase as a key centrepiece on his stand at the Grosvenor House Antique Dealers Fair in London in June 1961 (see below).

S.W. Wolsey stand at the Grosvenor House Antiques Fair 1961. S.W. Wolsey photograph albums.
S.W. Wolsey stand at the Grosvenor House Antiques Fair 1961. S.W. Wolsey photograph albums.

The S.W. Wolsey photograph albums also have several photographs of the bed and details of the frame and carvings, including a photograph of the bed fully assembled in Wolsey’s shop in Buckingham Gate, London (see below).

The bed fully assembled in S.W. Wolsey shop at Buckingham Gate, London. S.W. Wolsey photograph albums.

Henry Shaw’s illustration of the bed in Specimens (1836) shows it with a plain cornice. As mentioned, Meyrick’s commentary on the bed highlighted that it had ‘lost its true cornice’ by the 1830s. This was something that S.W. Wolsey also speculated upon in his notes associated with the photograph albums – writing ‘It appears that, following the publication of the Shaw book in 1836, an elaborate and expensive ‘Gothic’ canopy was made for the bed no doubt under the influence of a book by A. Welby Pugin…’ (perhaps Wolsey meant Gothic Furniture in the style of the 15th century designed and etched by A.N.W. Pugin (London, 1835).

The advertisement of the bed for sale states ‘the tester [canopy/cornice] has now been restored’ but does not indicate how old the restoration might be; it’s probable that the tester was replaced in the 19th century as Wolsey suggests. The Wolsey photographs include some wonderful detailed images of the tester (see below), which as we know is a 19th century copy in the 16th century style; and the headboard (see below) which dates from the 16th century.

Bed tester (canopy) (19th century). S.W. Wolsey photograph albums.
Bed head (16th century). S.W. Wolsey photograph albums.

It’s interesting that in Wolsey’s display of the bed at the Grosvenor House Antiques Fair (1961), he chose to cover the canopy with a textile hanging – perhaps a compromise to appease the Grosvenor House Antiques Fair vetting committee?

The photographs associated with the bed in the Wolsey photograph albums also include some absolutely fascinating images of the rear of the headboard (see below), which seem to have been taken in a storeroom (perhaps at Wolsey’s shop?). They seem to show various old repairs to the headboard – just as one might expect given that the bed is over 400 years old.

Back of the headboard for the bed. Photograph from the S.W. Wolsey photograph albums.

These important photograph albums will be making their way to the Brotherton Library at the University of Leeds in due course. But the key question (for me at least) is where this very famous bed is today? If anyone knows, do send me a note!

Mark

January 29, 2022

More Antique Dealer Ephemera – Mary Bellis Antiques photo albums 1940s-1950s

The collections of antique dealer ephemera and archives gathered as part of the on-going research into the history of the antique trade in Britain continues apace. The latest additions are two unique photograph albums of stock of the well-known dealer in antique oak furniture and early objects, Mary Bellis (c.1896-1897). Bellis opened her first antique shop in Bournemouth in 1943, and the photograph albums appear to date from an early period in the history of Mary Bellis Antiques.

Photograph Album (album 1), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

The two albums, both comprising bound leaves of thick black card, mounted with dozens of black and white photographs of various antiques that Bellis had in stock, unfortunately have no metadata; no prices, dates, or provenance information about the objects depicted in the photographs. But all of the photos are numbered, in sequence, so I guess they would relate to a stock book (if one still exists?). The first album (above) 12 inches x 10 inches in size, has a hand-painted title ‘Antiques by Mary Bellis’, whereas the second album (slightly larger at 14 inches x 10 inches) has a cover embossed in gilt lettering, ‘Photographs Mary Bellis of Bournemouth Antiques’.

Photograph Album, (album 2) c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

‘Mary Bellis of Bournemouth’ continued to be a trading name of Mary Bellis Antiques for sometime after Bellis moved her business from Yelverton Road in Bournemouth to Charnham Close in Hungerford, Berkshire in 1952, so the albums could date into the 1950s. The business had an international reputation for early oak furniture and associated objects and this is reflected in the array of antiques illustrated in the photo albums. Mary, together with her husband Eric (d.1976), who was a chartered accountant and company director, amassed an important collection of early furniture and objects during the 1920s and 1930s, before Mary began trading as an antique dealer in the early 1940s. After her death in 1987, Christie’s held an auction sale of their collection (Christie’s 21 May 1987, London).

Photograph Album (album 1), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

The photograph above, (from album 1) illustrates a range of antiques that Bellis sold, including non-European objects, such as what is described as ’16th cent candle’, and which appears to be from the African continent? Several of the photographs have these short descriptions, in pen, but frustratingly none have any provenance detail or information on prices at which they were bought and sold.

Photograph Album (album 1), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

The page (above) indicates that Bellis also sold ceramics – the photograph shows an English 18th century salt-glaze jug (with a description, in pen, ‘Salt Glaze Jug’ and ‘(see 8)’ and which refers to a photograph of the reverse side of the jug in photograph 8 on the opposite page in the album. Also included are photographs of some of the early paintings that Bellis sold, including one, (photo no.12 bottom right) inscribed ‘Van Kessel’ in pen. Jan van Kessel (1626-1679) was a leading Flemish painter of the 17th century – if anyone recognises the painting, or the other paintings in the album, do let us know.

Photograph Album (album 1), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

Album no.1 also contains some photographs of what looks like interiors of Mary Bellis’ shop? (see top two photos in the photograph above); perhaps illustrating how Bellis arranged and displayed her shop.

Album no.2 contains similar photographs, again mostly numbered in sequential order, but with emphasis on 16th and 17th century British oak furniture. This page from album no.2 (see below), shows a range of oak cupboards and an oak coffer/chest.

Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

Album no.2 also includes dozens of photographs illustrating the wide range of trading stock; paintings, sculpture, textiles, metalwork, stained glass and ceramics – including (in the second photograph below) a collection of 18th century English pottery figures.

Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.
Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

Given the quality of many of the antiques in the photographs, it may still be possible to see if the antique still exist in private or public collections? These examples of 16th an 17th century stained and painted glass, for example, associated with the Verney family? If anyone does know where these objects are now, we would be very interested to hear from you.

Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.
Photograph Album (album 2), c.1940s-1950s, Mary Bellis Antiques. Image, Antique Dealers Research Project, University of Leeds, 2022.

The albums are an increasingly rare survival of business ephemera associated with the British Antiques trade, and give us invaluable insights into the history of the trade. The albums will eventually make their way to join the rest of the antique dealer related material in the Brotherton Library Special Collections at the University of Leeds.

Mark

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