Posts tagged ‘National Gallery of Victoria’

July 27, 2026

Behind the Scenes of the Year of the Dealer 6 – Phillips of Hitchin at Temple Newsam

Here is another blog post in our series of ‘Behind the scenes of the Year of the Dealer’ – this time some further background information on the making of the film focused on the antique dealers Phillips of Hitchin in the digital trail at Temple Newsam. Here’s the finished film on the YoD website.

Phillips of Hitchin is featured in three of the Year of the Dealer films – this one at Temple Newsam, plus one film at Lady Lever Art Gallery and one film at the V&A (we will highlight the other films in later blog posts in the series of ‘Behind the Scenes of the Year of the Dealer’). We were not short of photographs for the Phillips of Hitchin films as we have a very large number of photographs of Phillips’ galleries at The Manor House in Hitchin thanks to Jerome Phillips who so generously donated the archive of the business to the Brotherton Library at the University of Leeds in 2015.

However, we needed to be careful about the number of images we included in the final film in order to ensure that the images we did include had sufficient time on screen for the viewers. There were literally scores of images that we could have used, but we hope the ones that made the final cut are interesting enough. Anyway, to whet your appetite for the range of images in the archive (which, just to remind you, you can view by appointment at the Brotherton Library at the University of Leeds), here’s a few photographs that did not make the final version of the Phillips of Hitchin Temple Newsam film. Below is a photograph of the entrance hall at the Manor House taken in c.1964, just a few years after the sale of the chair featured in the film to Temple Newsam in 1960.

Phillips of Hitchin, entrance hall at The Manor House, Hitchin, c.1964. Image, Antique Dealer Research Project University of Leeds.

And here is another photograph (see below) of one of the interior showrooms at The Manor House also from the 1960s – this time an image of the ‘Tudor Hall’ (as it was called) in c.1964. [Thanks to our friend Chris Coles we have a fascinating update on the photograph – the Queen Anne suite of furniture at the front of the photograph was from Aldby Park, North Yorkshire – see Adam Calvert Bentley and Ardgowen Antiques]

Phillips of Hitchin, interior of the ‘Tudor Hall’ at The Manor House, Hitchin, c.1964. Image, Antique Dealer Research Project University of Leeds.

The ‘Tudor Hall’ did not really date from the 16th century, despite its appearance, but was constructed in the early 20th century as part of an expansion of the showrooms at The Manor House. In 1910, The Manor House had 50 rooms of antiques (rising to 80 rooms by the start of the First World War in 1914/15), including specific rooms devoted to the display and sale of ‘Oriental Porcelain’, ‘English Porcelain’, ‘English Pottery’, ‘Cottage Furniture’, ‘Domestic Metalwork’, ‘Oriental Rugs’, as well as rooms fitted out as ‘period rooms’ such as a ‘Queen Anne Parlour’, a ‘Georgian Parlour’, and ‘Georgian’ and ‘Hepplewhite’ bedrooms. It also had an ‘Armoury’ and rooms devoted to ‘French Furniture’ and ‘Textiles’ – so a full range of objects that keyed into major collecting and furnishing interests at the time. By the time that Phillips of Hitchin sold the chairs to the various museums in the 1960s they had become a much more specialised antique dealing business and were one of the leading dealers in antique English furniture.

As you will see in the Phillips of Hitchin film, the chair sold to Temple Newsam in 1960 was one of a set of 6 chairs that were sold by Phillips of Hitchin at the time. One was sold to the V&A, a pair were sold to the Metropolitan Museum of Art in New York and the remaining pair to the National Gallery of Victoria in Melbourne, Australia. One snippet of information about the image we used in the film showing the pair of chairs in the museum in Melbourne, Australia is that the person reflected in the mirror in the middle of the photograph is actually Jerome Phillip’s wife, Barbara!…..she very kindly sent us the photograph when she was on holiday with Jerome in Australia back in 2022.

Pair of 18th century chairs sold by Phillips of Hitchin to National Gallery of Victoria, Melbourne, Australia in the early1960s on display in 2022. Photograph courtesy of Barbara Phillips.

There will be more ‘Behind the Scenes of the Year of the Dealer’ next week, so do keep you eye of the blog.

Mark

April 6, 2017

‘Here it is Now!’ – Phillips of Hitchin in the UK, USA and Australia.

As readers of the Antique Dealer research blog will know, we have recently posted more ‘Where is it Now?’ objects, illustrating images from some of the early 20th century photograph stock albums in the Phillips of Hitchin archive, now at the Brotherton Library Special Collections. We thought you would be interested, and amused perhaps, to hear about a kind of reverse of the ‘Where is it Now?’ theme (a kind of ‘Here it is Now!’) – i.e. the catalyst for this blog post was not an illustration of an object in the PoH archive, attempting to set up a link from the archive to the outside world, but rather a photograph of an object in a public museum, that links back to the archive. Indeed, the photograph generated an investigation of other museum collections, which has further demonstrated the international significance of the Phillips of Hitchin archive.

Anyway, the PoH archive was generously donated to the Brotherton Library Special Collections by Jerome Phillips, the 3rd generation of antique dealers associated with the business that has always been located at The Manor House, Hitchin since it was established in 1884. Jerome retired in 2014, and as many of you will know, is still in regular contact with us at the university; we often update him on the progress with his family business archive – Jerome is, after all, a living extension to the archive!

Jerome emailed us recently following an update from us on the archive, and mentioned that his wife, Barbara, was in Australia, and had been to the National Gallery of Victoria in Melbourne and whilst there she spotted a pair of chairs that Phillips of Hitchin had sold to the (then) Victoria State Gallery, Melbourne, in 1961.  Here is Barbara’s photograph of the chairs in situ (you can also spot Barbara reflected in the 18th century mirror!).

Pair of Houghton Hall chairs at the National Gallery of Victoria, Melbourne. Photograph courtesy of Barbara Phillips, 2017.

Houghton Hall chair, Temple Newsam House, Leeds. Photo c.1960, courtesy of Temple Newsam House, Leeds.

The chairs are related to a set of chairs at Houghton Hall, Norfolk, a very large suite of furniture, including 2 settees, made by Richard Roberts in the period c.1720; the chairs were acquired by the Gallery of Victoria through the Felton Bequest in 1961, through Phillips of Hitchin (see here for a link to the museum catalogue entry).

The pair of chairs now in Australia came from a set of six chairs acquired by Phillips of Hitchin in 1960; Jerome tells us that he thinks his father bought the 6 chairs at auction (not direct from Houghton Hall) – update 23.06.19 – the set of six chairs were sold at Sotheby’s, 29th January 1960, lot 117.  PoH then sold the chairs to four different museums in 1960 and 1961. One chair from the set was sold to Temple Newsam House, Leeds in June 1960, for the sum of £275.00, and described, in the PoH archive invoice as ‘a walnut and parcel gilt chair ensuite with chairs at Houghton Hall’. The chair in the first B&W photograph is the Temple Newsam House example, photographed in c.1960.

Another single chair was sold to the Victoria & Albert Museum in London in the same year.

Houghton Hall chair, Victoria & Albert Museum. Photograph c.1960. Copyright V&A Museum.

It seems quite strange perhaps that one of the pair of chairs were split up into single objects, rather than being retained as a pair (or indeed retaining the set of 6 chairs together), but the rationale, in the 1960s, was to distribute key examples of objects across as many museums as possible in order to allow more distributed access – this kind of materiality of things was a dominant idea in a period when object-based study was a key element in the structures of knowledge.

It’s interesting to note that the more recent acquisition by the V&A of the remaining large suite of furniture to which these 6 chairs relate, as part of the 2002 Acceptance in Lieu Scheme for the Inheritance Tax Settlement of the Cholmondeley Estate, has stipulated that the remaining suite of furniture remains in situ at Houghton Hall.

Chair in situ at Houghton Hall, Norfolk. Photograph copyright V&A Museum.

The last pair of chairs from the set of 6 acquired by Phillips of Hitchin were sold by the dealers in 1960 to the Metropolitan Museum in New York, through the Harris Brisbane Dick Fund. Here is a link to the online catalogue for the chairs.

‘Houghton Hall’ chair, c.1720. Metropolitan Museum of Art, New York. Photograph, Metropolitan Museum of Art, 2017.

And so, in this little example of the acquisition and distribution of this suite of Antique Furniture we can see not only the significant role of the antique dealer in the dissemination of objects across three Continents…..but also the shifting significance of the notion of historical context, cultural heritage, and museum collecting policies in the last 50 years or so.  And with that, the growing sense of the significance of the Phillips of Hitchin archive now held at the University of Leeds.

Mark

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