Posts tagged ‘The Bowes Museum’

January 12, 2019

SOLD! Exhibition – the final push!

It’s all hands on deck for building and installing the design for the SOLD! exhibition at The Bowes Museum – only 2 weeks to go now before SOLD! opens! The Exhibition is live on The Bowes Museum website – see SOLD!

Over the past few weeks all of the exhibition interpretation panels and the object labels have been composed, and all the exhibition image panels have been decided – the ‘proofs’ of the interpretation and image panels came back from the designers this week – the consensus is that they look great! – We’re not showing you them of course (yet)….you’ll have to wait and go to see SOLD!

I couldn’t believe how hard the exhibitions team at The Bowes Museum work during the process of taking down the previous exhibition (a fabulous exhibition called ‘Catwalking: fashion through the lens of Chris Moore’) and installing the next exhibition (SOLD!) – it is pretty much a 24 hour a day job…with all the work concentrated into a few short weeks. Here’s Vin, Simon and George starting to move the museum cases into the main exhibition space at The Bowes Museum, ready for the museum objects arriving.

Vin, Simon and George, installing cases for the SOLD! exhibition.

The exhibition space is starting to take shape – we’re starting to ‘place’ the exhibits in the correct order in the space; below is a photograph of one side of the exhibition space with photocopies of the object interpretation panels, fixed to the walls with masking tape, indicating the location of each object in the exhibition. We’ve gone for a dark grey and black colour scheme (which seems to be very fashionable for exhibitions). The exhibition space might look a bit messy in the photograph, but on the day I took the shot, we’d only just finished taking down the thousands of cardboard tubes that were part of the Catwalking exhibition – you can see a few remaining on the floor – I don’t think I ever want to see a cardboard tube again!

 

SOLD! being installed at The Bowes Museum

Here we have another photograph (below) of one of the walls in the exhibition space, with the photocopies of information on each of the objects in the exhibition, placed near to where the object will be situated – in this section of the exhibition, which focuses on 19th century antique dealers, you can see how we are placing the museum loans in sequence – the suit of ‘ancient armour’ sold by the dealer Samuel Pratt to the Tower Armouries in London in 1840; the 15th century Venetian glass goblet, sold by the dealer Henry Farrer to the South Kensington Museum (now the V&A Museum) in 1854; the 15th century silver-gilt chalice sold to the British Museum by the dealer John Webb in 1855; and the 16th century ‘Raphaelware’ dish sold by Henry Durlacher to the South Kensington Museum (now the V&A Museum) in 1857.

SOLD! install at The Bowes Museum – object placement labels.

 

And as I say, it was all hands on deck for the short time frame to take down and then install exhibitions – here’s Jen and Sarah helping out in re-painting one of the plinths that is going to be used for SOLD!

Jen and Sarah repainting a plinth for the SOLD! exhibition at The Bowes Museum.

 

And Catherine (below) carefully removing the masking tape which had been used in the previous exhibition from the floor.

 

Catherine, in deep concentration, carefully removing masking tape from the floor in the SOLD! exhibition.

 

It was an exhausting day, but it’s thrilling to see all the hard work coming to fruition.  Next week the install continues, and we have the exciting prospect of building and fitting out the ‘Old Curiosity Shop’ of 1850 in the exhibition space – Simon and I, and the rest of the Bowes team are really looking forward to that!

Watch out for blog posts on ‘behind the scenes at the museum’ next week as the installation of SOLD! continues!

Mark

 

 

December 20, 2018

Progress on SOLD!

SOLD! is coming together very well – we’ve been working at The Bowes Museum on the text panels and object labels all of this week.  They all go off to the designers soon – there’s only about 1 month to go before the exhibition opens on 26th January (and that includes the Christmas break!), so there’s still a lot of work to do.  George Harris (Exhibitions Manager at Bowes), Catherine Dickinson (Exhibitions Officer), Jane Whittaker (Head of Collections) together with the other members of the exhibitions team Vin and Jen, and I have been working on the images and texts we need for the exhibition.  It’s going to be designed around a theme of ‘shopping for antiques over 200 years’….using a cityscape as a main theme, with antique shop fronts, of various periods from 1820s to present day, interspaced with images of antique shop interiors over the same period, so the visitors to the exhibition will get a sense of the changing panorama of the ‘antique shop’.

Simon Spier (Project Assistant on the recreating the 1850s Shop) has also been helping with engaging with the local community of dealers and collectors to gather appropriate objects for the shop (see Simon’s ‘Old Curiosity Shop’ Twitter feed).  Simon and I were searching the Bowes stores this week for suitable objects for the 1850 shop…together with Howard Coutts, (the Curator of Decorative Art) – it is interesting that Howard is not the curator of ‘Antiques’ – but then, antiques’ are not what the museum contains I guess?

Over the course of the research project we’ve gathered hundreds and hundreds of images of exteriors and interiors of antique shops.  These two photographs, of F.W. Phillips’ (Phillips of Hitchin) antique shop in about 1905 and the interior photograph of the shop of C. Charles (Charles Duveen, J.H. Duveen’s brother) in New Bond Street, London in c.1903, are just examples of several hundred we have to choose from, so it’s been quite a task to find the right kind of image for the exhibition interpretation.

Phillips of Hitchin shop, c.1905. Photograph courtesy of the Brotherton Library Special Collections, University of Leeds.

 

C Charles, New Bond Street, c.1903. Photograph, Connoisseur, September 1903.

 

 

 

 

 

 

 

 

We’ve also had some excellent pre-publicity for SOLD! this week – the exhibition was featured on the front page (and on page 4) of the Antiques Trade Gazette – see the web version HERE and SOLD! is also on the British Antique Dealers’ Association website (thank you as always the BADA!).

The objects coming to SOLD! cover quite a range of object types (and dealers of course) – we have this wonderful ‘majolica’ dish, from Deruta in Italy, and dating from c.1530, on loan from the V&A Museum.

Dish, c.1530, sold by Henry Durlacher to the SKM in 1854. Image courtesy of the V&A Museum, copyright the V&A Museum.

It was sold to the South Kensington Museum in 1856 (as the V&A Museum was called in the 19th century) by the well-known 19th century antique dealer Henry Durlacher (b.1826) for £5 and 5 shillings – quite a meagre some, even in the context of the market for such objects in the 19th century.  The market for ‘Raphaelware’ (as this kind of object would have been categorized in the 19th century) was very strong in the middle decades of the 19th century, so perhaps Durlacher was hoping to encourage more purchases from the South Kensington Museum?

SOLD! also has several objects from the collections at The Bowes Museum on display of course, including this spectacular 18th century Bronze fountain mask, which was sold to The Bowes Museum in 1966 by the dealership ‘David Tremayne’ – one of the directors of ‘David Tremayne’ was David Salmon, a member of the family that owned J. Lyons & Company, of ‘Lyons Tea Rooms’ fame.  ‘Tremayne’ traded from the King’s Road in London, which in the 1960s was the epitome of Swinging, Fashionable London, with the antique dealers patronised by Film Stars and Rock Groups such as the Rolling Stones.

Bronze Mask, sold by ‘David Tremayne’ to The Bowes Museum in 1966. Photograph courtesy of The Bowes Museum.

 

In SOLD! we also have a number of objects from Temple Newsam, part of Leeds Museums & Galleries, including the famous black lacquer secretaire, formerly supplied by Thomas Chippendale for Harewood House in the 1770s.

Secretaire, c.1770, sold by Hotspur to Temple Newsam, Leeds Museums & Galleries in 1999. Photograph courtesy of Leeds Museums & Galleries, copyright Leeds Museums & Galleries.

Of course, for SOLD! this is not a ‘Chippendale’ , it was sold to Leeds Museums & Galleries by the well-known Antique English Furniture specialist dealers Hotspur in 1999, who were then trading in London.  Indeed, the secretaire’s dealer biography can be traced to 1946 when it was acquired by the London dealer Jesse Botibol, probably direct for the auction sale of some contents of Harewood House sold at Christie’s in London that year.

There are many more well-known and world-class museum objects in SOLD!, But of course the purpose of SOLD! is to highlight their ‘hidden histories’ and to retell the history of the antique dealers that are such a fundamental part of their object biographies.

Mark

 

 

 

 

 

 

December 2, 2018

SOLD! A Major Exhibition at The Bowes Museum

As some of the readers of the Antique Dealers Blog already know, for the last 18 months I’ve been very busy working as ‘guest curator’ on an exhibition called ‘SOLD!’ at The Bowes Museum based on over 10 years of research on the history of Antique Dealing in Britain – and we can now announce the forthcoming opening (on 26th January 2019) of the exhibition!  Here is the poster, with the stunning bronze by Antico of c.1490-1500, acquired by the V&A Museum through the dealer Horace Baxter in 1960, as the ‘poster boy’.

SOLD! Poster

SOLD!, which opens on 26th January 2019, brings together more than 40 world-class objects, from various museums, including the V&A, the British Museum, The Royal Armouries, Royal Collection, The Lady Lever Art Gallery and Temple Newsam, as well as objects from the collections at The Bowes Museum itself, and loans from private collections never seen in public before, to tell the ‘hidden histories’ of the objects with a focus on the history of antique dealing.  One of my PhD students (Simon Spier) is working as the project research assistant helping with the assembly of the recreation of an ‘old curiosity shop’ which will be part of the display and interpretation for SOLD! – you can follow Simon’s activities in the special Twitter feed we have developed – see  https://twitter.com/Bowes_GBAS

Besides ‘Antico’ from the V&A Museum…(which I have been calling a ‘Horace Baxter’ – indeed, I have been calling all the objects in the exhibition by the name of the dealer who sold them which has been very confusing for many museum curators! – so the ‘Antico’ is a ‘Horace Baxter’; we also have a ‘Henry Farrer’ (a very rare 16th century Venetian glass goblet – sold by Farrer to the South Kensington Museum (now the V&A Museum) in 1854 for £30.0.0) – you can just see the edge of the green glass goblet to the right of the ‘Baxter’ in the poster above; and a ‘David Tremayne’ – the wonderful 18th century bronze mask, sold to The Bowes Museum by David Tremayne in 1966 – you can just the bronze mask to the left of the ‘Baxter’ (sorry, the ‘Antico’) in the poster.

We have a wonderful range of objects in SOLD!, including this amazing demilance suit of armour of c.1620 from the Royal Armouries, (Tower Armouries Collection in London), which was acquired via the well-known specialist dealer in ‘ancient armour’ Samuel & Henry Pratt from their ‘The Gothic Hall’ just off New Bond Street in 1840.

S. & H. Pratt – (1840) – Demilance suit of armour, c.1620. Photograph courtesy of The Royal Armouries.

As part of SOLD! we have objects that passed through the hands of major 19th century dealers such as E.H. Baldock, John Webb and George Durlacher; and in the 20th century, major dealers such as Frank Partridge, M. Harris & Sons, H. Blairman & Sons, Mallett & Son, Wartski, Hotspur, S.J. Phillips, and Bluett & Son…plus many more besides.

One of the major dealers we have focused on is Phillips of Hitchin; mainly because we have the Phillips of Hitchin archives at the Brotherton Library Special Collections at the University of Leeds. And here’s a very rare photograph of the Phillips of Hitchin shop in c.1905, with Frederick W. Phillips (centre) the chap that established the firm in 1882, and Hugh Phillips (his brother) to the right (we don’t know who the third person is) – the photograph was taken just a few years before Frederick Phillips bought the ‘Gothic Cupboard’ and sold it to Robert Mond (see below).

F.W. Phillips (Phillips of Hitchin) shop, Hitchin, c.1905. Digital copy of glass-plate negative courtesy of the V&A Museum.

Jerome Phillips, the grandson of Frederick Phillips, kindly identified the people in the photograph – and Kate Hay at the V&A Museum and her volunteers generously made a digital copy from the original glass-plate negative (part of the Phillips of Hitchin material that is, at present, at the V&A stores).

There are also couple of objects from the V&A Museum in the exhibition that were sold by Phillips of Hitchin – this Gothic cupboard (known as ‘Prince Arthur’s Cupboard’ in the early 20th century when it was acquired by the V&A Museum) was sold by F.W. Phillips (Phillips of Hitchin) to the well-known collector Robert Mond in 1912 for £220.0.0. – Mond donated it to the V&A in the same year.

F.W. Phillips (Phillips of Hitchin) ‘Gothic Cupboard’ c.1500-1600. Sold by F.W. Phillips in 1912. Photograph courtesy of the V&A Museum.

 

The other Phillips of Hitchin object in the exhibition is the famous ‘Medal Cabinet’ by the 18th century cabinetmaker William Vile (c.1700-1767), of c.1760, which was sold by PoH to the V&A in 1963 for £10,000.

Phillips of Hitchin (1963). George III mahogany medal cabinet, c.1760. Photograph courtesy of the V&A Museum.

 

The exhibition will also have a wide range of exceptionally rare antique dealer archives, and a range of dealer ephemera, to bring to life the history of the antique trade.  But there are also some spectacularly rare objects in SOLD! – indeed, one of the key premises of the exhibition is to show some very familiar, world-class museum objects, but to ‘reframe’ them through the narrative of the art market; and to bring the previously marginalized story of antique dealing more directly, and more explicitly, into the spaces of the public museum – and to provoke us all (museum curators, academics, and the public) to reflect on why the art market has often been suppressed and dislocated from the narratives of the history of art that the museum presents us with.

We hope that the ‘SOLD!’ exhibition will be a catalyst for increased public engagement with these previously marginalized stories.

I’ll be updating the blog with regular progress reports on SOLD! as we move towards the opening of the exhibition on 26th January 2019 – I do hope that we will see as many people who can make it to SOLD! at Bowes Museum and I hope to say ‘hello’ if I am about at the exhibition.

Mark

 

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