July 25, 2016

‘BADA Voices’ Oral History Interview – John Bly

Print We did our 2nd in the new ‘BADA Voices’ Oral History interviews last week – this time in the interviewees’ chair was John Bly, of John Bly Antiques. John Bly Antiques was established by 1891, but the business itself has roots into the early 19th century, begun by John’s Great-Grand father William Bly, in Tring, Hertfordshire.  John’s grandfather, also called John Bly, operated as a cabinet-maker, house furnisher and dealer in antique furniture at 22 High Street, Tring by the early 1890s – and here’s an early photograph of the shop of ‘J.Bly’ at 22 High Street in 1907.

John Bly 22 High St Tring 1907

J. Bly, 22 High Street, Tring, 1907. Photograph from John Bly.

In a wonderfully engaging and fascinating interview, John tells us of the history of the Bly businesses, and of how he started in the antique trade over 50 years ago! John left school to work at Sotheby’s in Bond Street, London, where he was employed in the Silver Department, marking up lots for sale; he left Sotheby’s at the age of 19 to work for his father, Frank Bly, in 1960, and continues to run the business, with his son James, from locations in Tring and in the Kings Road, London.

john bly 2016

John Bly, in London, 2016.

John’s infectious enthusiasm for the antique trade is evident in the conversation – he tells us of his first job, driving the Northampton-based antique dealer Jack Roberts’ around auctions and dealerships in the early 1960s; and of the importance of his two ‘mentors’, Michael Brett (then of Broadway, Worcestershire) and the Nat Ayer, of Bath and London – who was, so we learn, the son of the famous songwriter Nat D. Ayer (1887-1952) – writer of, amongst other songs, ‘If you were the only girl in the world…’ (1916)

John also tells us of his life as a T.V. personality – he is famous, as many of you will know, as one of the experts on the BBC ‘Antiques Roadshow’ – but he began his career as T.V. antiques expert as long ago as 1969/1970 on a show for Thames Television called ‘Looking at Antiques….’, before moving on to a programme in the mid 1970s called ‘Heirlooms’.  He has been on the ‘Antiques Roadshow’ since the 2nd series, in 1980.

John’s father, Frank Bly, is perhaps most well-known for the sale of the famous ‘Kimbolton Cabinet’ to the Victoria & Albert Museum in 1949. John rehearses the fascinating tale of the acquisition, and eventual sale of the cabinet to the V&A, during the interview – it is, by now, quite a well-known story, but John’s regaling of how the cabinet was loaded on to the flat-bed truck, and covered in a tarpaulin sheet, is still worth hearing again.

 

kimbolton

The Kimbolton Cabinet, c.1775. Photograph, copyright the Victoria & Albert Museum, London.

John obvious positive energy comes across strongly in the interview, as he talks about the changes to the antique trade in the past few years, and the prospects for the future of ‘antiques’.  And as with all our other interviews, our interview with John will, once edited, be made available via the Antique Dealer project websites – keep you eye of the sites for updates.

Mark

July 9, 2016

First of the ‘BADA Voices’ oral history interviews – Peter Francis Cheek

We did our first in the ‘BADA Voices’ oral history interviews the other week. As you may have heard, or read in the Antiques Trade Gazette, the British Antiques Dealers’ Association have very generously sponsored the capture of a series of new oral history interviews, as a discrete extension to the Oral History research for the Antique Dealers project. Thank you again to the BADA for this generous support. Print

The first in the new series of ‘BADA Voices’ was with Peter Francis Cheek, formerly of ‘Peter Francis Antiques’.  Peter is now 94 years of age, and it was a fantastic opportunity to capture his reflections on more than 60 years in the antique trade.

Peter Cheek 2016

Peter Francis Cheek, at his London home, in 2016.

Peter started his life as an antiques dealer in 1949, following service in the army in World War II, after training as a carpenter in the late 1930s, and working for his father in his father’s second-hand and antique furniture business (his father’s business was called W. Johnson, after the previous owner of the firm) in the period 1947-1949. His father, interestingly, had been a Foreman for the firm of Howard & Sons, before setting up on his own in the late 1920s.

In this very engaging interview, Peter reflects on the changes to the antiques trade, and his experiences on the vetting committees at the Grosvenor House Antiques Fair during the 1980s, and as a member of the review committee for the export of antiques for the BADA during 1972-2000. And here is Peter’s stand at the 1984 Grosvenor House Antiques Fair.

Peter Francis stand GH 1984

Peter Francis’ Stand at Grosvenor House 1984. Courtesy of Peter Cheek.

Peter’s first shop was in Bowes Park, North London, before he purchased his father’s shop in Winchmore Hill (North London) – and as many of you will know, Peter Francis were located in Beauchamp Place, SW3 for 25 years, from 1954 until 1979, when Peter moved the business to 26 Museum Street, the former home of the equally well-known antique dealers, ‘Cameo Corner’ – indeed, it’s quite curious, although obviously understandable, how many antique dealers move into premises formerly occupied by other dealers – Peter’s shop in Beauchamp Place, for example, was also the former shop of the dealer Josephine Grahame-Ballin, who also had a shop in St. Albans.

Peter had many fond memories of life in the antiques trade, including the time when the actor Robert Lindsay (himself now portraying an Antique Dealer called ‘Mr Bull’ in the TV comedy ‘Bull in a China Shop’!) attended the opening of the Grosvenor House Antiques fair in 1985, and was photographed sitting in an antique Invalid’s Chair on Peter’s stand – (Robert Lindsay was dressed as a character from the musical ‘Me and My Girl’, in which he was then starring…)

Peter C and R Lyndsay 1985

Peter Francis, with Robert Lindsay at the GH Antiques Fair 1985. Copyright untraced. Courtesy of Peter Cheek.

As with all of our Oral History interviews, including these new ‘BADA Voices’ extensions, our interview with Peter Cheek will appear on the Antique dealer Research project website in due course.

Mark

 

 

June 14, 2016

Reflections on the Antique Trade – John Hudson, Christie’s & James Oakley Antiques

We’ve had a huge amount of help and information on the history of the British Antique Trade from various people, and one of the most energetic supports of the project has been John Hudson – he has given us a variety of antique dealer ephemera, and also sent us these fascinating reflections on his life in the world of art & antiques, and from his time working at Christie’s auctioneers – and with the forthcoming celebrations of the 250th anniversary of Christie’s this year, we thought John’s memories would be of considerable interest. Anyway, Here’s John, in his younger days –

john h

John Hudson

And here are John’s reflections –

“Looking back to the some 50 years ago when I first started at Christie’s in 1965 behind the Front Counter, the entire staff, including overseas offices, was about 120, and a turnover of £4.5 million.  There were no Fax machines, photocopiers, the Internet, or digital cameras. The secretaries typed one off formal letters with a carbon copy, any mistake and the whole letter had to be redone!

  The Main London Salerooms advertised their sales in the Daily Telegraph and The Times on Mondays and Tuesdays respectively, with the occasional provincial auctioneer included. To be informed about sales in the provinces the trade would subscribe to a press cuttings agency , Romeike, who would cut out the relevant advertisements out of the local papers and about twice a week post the group of clippings. The arrival of the Antiques Trade  Gazette  and photocopier were the death knell of this service.

  At Christie’s there was a constant flow of private and trade clients  to the front counter (this was before any Regional Offices opened, the early 1970s saw the first two , Shropshire and the West Country; Scotland and Ireland were  a few years later) bringing in items for  inspection and valuation for possible sale and for this purpose there were three small rooms and later four, where items could be unpacked and discussed discretely; if a client only brought in a single item or so we would take it up to the relevant department to be looked at to save the “expert” ( Christie’s preferred the term Technical Advisor)  spending a lot of time going up and downstairs.  If there were several items or a piece of importance then of course some one would come and see the client. 

  Something I noticed about the trade clients, those who came with items to sell, tended to be those that covered the Country Sales, in many case  driving a significant mileage each week, bringing their discoveries as often they had no retail outlet.  Also we saw a few Brighton knockers and the Irish knockers.  I well recall one Brighton knocker telling me how they would advertise in the Shires, to say they were in the area, looking to buy pictures, silver, porcelain etc. when  one winter, they received a letter with a heading or something similar like:- ” Ivy Cottage , Lower *****,  *****shire. ” or words to the effect that the writer was a spinster and because of the weather she wished  in due course to move into the nearby town and had a considerable amount of silver , china and pictures etc she wished to sell.  There was no telephone number so the dealer and his associate changed their plans and immediately set off at short notice to see the lady concerned.  After a considerable time spent in a fruitless search for the cottage, they called in at the local police station.  The police checked their records and said as far as they were concerned the address didn’t exist and could it be that a local dealer or rival had written the letter!    

  Auction catalogues were available both illustrated and unillustrated, but with no estimates printed, and this in a curious way helped to alert if there was a possible sleeper, by undue interest, as verbal estimates were available on request.  Printed price lists  with the names of buyers as well as “bought in” names after the sale cost 5/- or 25p, often more than the cost of the original catalogue ( this was an historic quirk as the young clerks originally supplemented their income by writing up the catalogue with the prices realised and the buyers names for various members of the trade, some had as many as 20to 30 dealers covering the different categories charging 5/- each sale).   Although the porters in Christie’s weren’t allowed to bid for a client, senior staff were; history relates that the Chief Sales Clerk at Christie’s, before the Second World War, was able to employ a butler and gardener on the strength of his tips.  When I arrived at Christie’s South Kensington in 1977  the porters had been allowed to bid in sales with the previous firm Coes, and many of them were already home owners. 

  In London up to the early 1980s there was a furniture sale every day of the week each saleroom having their own designated day.  In the Season at Christie’s, which usually ran from late September, with perhaps a House sale or two earlier in the month, until July the following year, with a 3 week break at Christmas, would see:-

Monday, ceramics, English, Continental, or Chinese Porcelain

Tuesday, Watercolours/drawings/prints and or Japanese works of Art, or Works of Art & objects of vertu or Antiquities

Wednesday, Silver and or Jewellery,

Thursday, Furniture, Wine and sometimes Books

Friday, Paintings, various  categories, English, Continental, Old Masters, Modern British, Impressionist

Christie’s were renowned for selling in Guineas; this was because in the very early days the 0ne shilling difference was the vendors commission.  Guineas ceased on decimalisation in 1972.

  I should perhaps mention how I started my career in the Auction World.  At Christie’s the foreman Porter at the time Jim Taylor hired and fired the porters, unless they were student porters.  In the 1960s many of the porters had served in the same Regiment as the Partners (Directors) during WWII; also a number were related by marriage.  The young Clerks in the general office were selected by the Headmaster of a School near Pimlico who sent his brightest pupils, at the end of the Summer Term, just in time for the start of the new season.  The girls were interviewed by Mrs Andrews who ran the filing room. The Directors usually chose and interviewed their own secretary, sometimes a girl whose family might have an interesting Painting or Collection. 

  I was fortunate that my Great Uncle and Aunt had had antiques shops in both Bury Street and Duke Street since the 1920s till early 1960s, and had known many of the directors at Christie’s for a considerable time.  Christie’s was bombed by incendiaries during  WWII, but because there were fire pickets on duty during that night (a member of the picket John Hancock was working at Christie’s up until the 1980s) they were able to save the archives including all the auctioneers books since Christie’s foundation in 1766, as well as the day books going back to the 1840s.  Christie’s was rebuilt after WWII and re-opened in the Autumn of 1953.  Everything that came in for sale was able to be stored on the premises including furniture, it was only as late as about 1969 that the furniture was moved out to a warehouse (Hudsons just across the road from platform 1 at Victoria Station, ) now long gone.         

   My Great Uncle and Aunt were James Oakes and Amy Oakes. Uncle served in World War1 with the South Staffordshire Regiment, he was a skilled clock maker and in his house he had a Year Clock, a Month clock and an 8 day clock, all made by him. He was keen on engineering and always used to have a Buggatti car.   He had premises next to the Aolian Hall in Bond Street, opposite Sothebys, but moved to Bury St St James’s because of the noise from the musicians.  After World War II , he moved to Duke Street, St James’s. (Here’s an advertisement by James Oakes, in the Grosvenor House Antiques Fair Handbook, 1950).

James Oakes GH 1950

Grosvenor House Antiques Fair Handbook 1950 – James Oakes Antiques.

  After Christie’s was rebuilt in 1953 my Uncle supplied the clock in the main saleroom and in the anti-room, which were each situated above the main door.  My Aunt also had a shop, in The Old Bailey close to the Criminal Court, where she sold jewellery, early English porcelain, pocket watches,  and possibly silver.  Her shop was one of the few shops to survive the bombing in WWII and was pulled down in the 1950s.  My Uncle took out a 15 year lease (for I believe £5,000 a year) on a three storey building 121 New Bond Street in 1960, but died a year later.  So my Aunt took over the shop until the very late 1960s when sadly dementia took its toll and she was no longer able to continue.”

Fascinating stuff John…thank you for sharing this with the Antique Dealer Research project!

Mark

 

May 15, 2016

New Oral History Interview – Jonathan Harris, of Phillips & Harris

The latest in our series of Oral History Interviews with members of the Antique Trade was recorded last week. Our interviewee was the well-known antique dealer Jonathan Harris, formerly of Phillips & Harris, of Kensington Church Street, London. In an absolutely fascinating interview, full of personal reflections on his life as an antique dealer, Jonathan told us about how he started in the trade in the mid 1960s, following a brief spell at the auctioneers Christie’s, before he entered into partnership with Henry Phillips in Kensington, London in 1967.

J Harris

Jonathan Harris, at his London home. May 2016.

Jonathan’s eclectic interest in antique objects shaped the acquisitions for the business of Phillips & Harris – the shop in Kensington Church Street was always full of an amazing mixture of spectacular objects, from 16th century sculpture, to early 20th century furniture.  An example of Jonathan’s taste for the historically significant, and the visually stunning, is the centre table designed by the architect William Burges in c.1867, for Burges’ own home in Buckingham Street, London.

Jonathan sold the table to Lotherton Hall, part of Leeds Museums & Galleries, in 1971 (a similar table in is the collections at Birmingham Art Gallery and Museum).

burges table

Table, designed by William Burges, c.1867. Sold by Phillips & Harris to Leeds Museums & Galleries in 1971.

During the interview with Jonathan we had the pleasure of taking a brief tour of some of the objects that he had collected over the years; it was fascinating to hear what had interested Jonathan about the objects and why he had acquired them – Jonathan belongs to that great tradition of antiquarian collecting, where the discrete history of the objects is a rich catalyst for the deeper traditions of story-telling, and served to remind me of the importance of the ‘oral history’ research as a key part of the broader Antique Dealer project research activities.

As with all of our Oral Histories, our interview with Jonathan will soon be made available via the Antique Dealer project websites.

Mark

 

May 8, 2016

Conference ‘Impact’ – Temple Newsam staff….and the REF

The Antique Dealer Project Conference generated a great deal of positive discussion and feedback – thank you again to everyone that participated and contributed during the 2 days – and to those that helped with the organisation….we could not have delivered the conference without so much help and enthusiastic interest from everyone involved.

We are working on some analysis of the conference, summaries of the sandpits and etc – and our team of Postgraduate students who worked so hard during the conference are also hard at work compiling the analysis…that should be ready soon and will be distributed to all conference delegates, and uploaded to the project website.

The project conference was also a strategic part of the Antique Dealer research project itself, and so as part of the analysis we are also continuing to evaluate the research ‘Impact’ of the project.  Research Impact, as those in the world of academia will know, is now a key aspect of all university research projects – and is a fundamental part of the REF (Research Excellence Framework).  The REF is the quality assessment mechanism that all UK research intensive universities participate in, every 5 years or so – the next REF exercise is due to be in 2020. Anyway, as part of the research impact for the Antique Dealers project we are keen to capture and assess how the research has effected (impacted upon) anyone outside of the world of academia.

And talking to Bobbie Roberton (Keeper) and Rachel Conroy (Curator) at Temple Newsam House, they mentioned how much the staff at Temple Newsam House enjoyed the conference, and how many new things about the collections at Temple Newsam they had learned as a result of the conference – so this was an opportunity made in heaven for our Research Impact! I hot-footed it to Temple Newsam last week to have a chat with the TN staff.  We staged an informal ‘focus-group’ feedback session, with tea and cake generously provided by Temple Newsam! Here are some of the staff who give their time so generously too – left to right – Michael Clark, Lyn Crispin and Helen Clayton (who’s father is also an antique dealer!…) – also present was Debra Crossley, but she had to leave before I took the photograph….

tn focus group

Temple Newsam House staff – Michael Clark, Lyn Crispin and Helen Clayton.

There were so many positive comments from Michael, Lyn, Helen and Deborah – they tell me that it was so illuminating having Antique Dealers talking about the objects at Temple Newsam, and that they had not realised how significant the antique trade had been in the development of the collections. One of the really positive outcomes of the conference is that Michael, Lyn, Helen and Deborah have all indicated that they will share their new knowledge with the public visitors coming to TN….now that IS a real result!

Thank you again to all the staff at TN for all their help and enthusiastic support to the Antique Dealers Research project.

Mark

May 2, 2016

3 New Oral History Interviews – plus ONE goes LIVE!

Following the very positive comments from the conference delegates about our oral history interviews, we have now had time to update the Oral History Interview pages on the Antique Dealer project website – see Antique Dealers Website

Our updates include three recent interviews -first, we interviewed Andrew Jenkins, of Avon Antiques, Bradford-on-Avon.  Andrew came up to Leeds to see us, and we unusually conducted the interview in our offices at the University of Leeds.  Avon Antiques was established by Andrew in 1963; in a fascinating interview Andrew gave us his reflections on his considerable experience of over 50 years in the antique trade.

Andrew and Vibeke Jenkins, Avon Antiques.

Andrew and Vibeke Jenkins, Avon Antiques.

Our next interviewee was Tim Corfield, formerly of Corfield of Lymington, Hampshire, which was established by Tim’s father in 1966.  Tim told us about his life in the antique trade and of his work as an art and antiques agent through his new business of Corfield Morris Limited.

Tim Corfield, of CorfieldMorris. Photograph courtesy of Tim Corfield.

Tim Corfield, of Corfield Morris Ltd. Photograph courtesy of Tim Corfield.

And our third interviewee as part of our recent activities was with Dominic Jellinek.  Dominic, as some of your will know, worked at the world-renowned Chinese Works of Art dealers Bluett & Sons, London.  Dominic started with Bluett & Son in 1978, and stayed with them until they business eventually closed in the mid 1990s.

Dominic Jellinek, of Bluett & Sons, pictured with the Bluett archive.

Dominic Jellinek, of Bluett & Sons, pictured with the Bluett archive.

Dominic gave us a thoroughly detailed account of the history of Bluett, based on his extensive knowledge of the Bluett archive, as well as his many memories of the antique trade in the 1970s, 80s and 90s.

As usual, all of these interviews will be available to hear, once we have edited them and formatted them, so do keep your eye on the project websites.

ONE piece of GREAT NEWS, is that we have (thanks to the brilliant work of Matt Robson and Peter Edwards at the University) edited and formatted our interview with Jerome Phillips, of the famous dealership Phillips of Hitchin……the first of MANY!….do take a look at the ORAL HISTORY pages on the project website and have a listen…!

Mark

April 30, 2016

The project conference-a delegate’s view

As Mark’s two detailed posts have made clear, the conference was a great success. What I would like to explore further, however, is what the conference was like for me as a delegate and what those of you who did not attend missed!

Firstly, the staff at Temple Newsam were an absolute joy from start to finish. All conference delegates were given privileged behind the scenes access to much of the house, complicated by the fact that the property remained open to the public throughout. This meant that the visitor services staff in the house had to keep an eye on two different groups of visitors simultaneously and they managed what must have been a tricky task with consummate ease-whilst remaining good-natured and welcoming throughout. Thank you to you all.

So what did the conference provide to a delegate? Well, apart from some lovely food (the canapés at the reception on the first night were a particular highlight but everything supplied by Salts was rather lovely-thank you to their brilliant staff too) I suppose the most obvious benefit was the chance to meet like-minded people from many different professions but all with a particular interest in the antiques trade. There were museum professionals, academics, students, dealers, retired dealers, a charming lady from a tour company that specialised in trips around arts and crafts period houses in Britain for foreign visitors, representatives of both of the major UK trade associations, antiques journalists and the odd interested collector as well. A real mixture.

Antique Dealers Conference delegates.

Antique Dealers Conference delegates.

For me personally it was lovely to meet dealers whose items I had admired over the years and, in contrast to the often repeated line about not meeting your heroes, everyone was extremely pleasant and friendly and I spent many pleasant hours chatting away about the trade and dealers past and present.

The highlight of my participation in the project has been my involvement with the oral history interviews-both conducting interviews and transcribing them-and so I was looking forward to Eleanor’s talk with particular interest. It certainly didn’t disappoint and I think it convinced any remaining doubters of the importance of capturing the opinions of a range of dealers with contrasting specialisms. This all felt like a vindication of everyone’s hard work on the project so far.

Oak Passage, Temple Newsam.

Oak Passage, Temple Newsam House

Temple Newsam House

Temple Newsam House

The main staircase at Temple Newsam House

The main staircase at Temple Newsam House

A surprising number of delegates, myself included, had not visited Temple Newsam before and so another highlight was certainly the object in focus sessions. I chose to watch the Murray Cabinet being gently dismantled so as to demonstrate its many secret drawers and compartments, mainly because of that piece’s associations with Norman Adams (a firm that is a particular interest of mine).

Ian Fraser, with 'The Murray Cabinet', sold to Temple Newsam by Norman Adams in 1986.

Ian Fraser, with ‘The Murray Cabinet’, sold to Temple Newsam by Norman Adams in 1986.

However after we had each looked at our object of choice, we were then able to wander around the house and most of us made sure that we explored every available room in the time available to us.

The aforementioned evening reception finished off the day in fine style, and a special mention to the lovely music student who performed on the rather beautiful Broadwood concert grand to end a very interesting day.

Japji....our music student, from the University of Leeds, playing the historic Broadwood piano

Japji….our music student, from the University of Leeds, playing the historic Broadwood piano

The second day involved rather more participation than the first and most of us were thinking about our choice of sandpit sessions before we had even finished registration! As English furniture is my primary interest, there was never any doubt about my choice of session in part one (I went for the death of antique furniture discussion) but for my second sandpit, I decided against joining the love or money group as, working in a museum, that sounded rather too much like the day job that I had been only too happy to leave behind for a while! I chose to attend the sandpit on professions or pastimes instead.

The three talks in the morning were very interesting indeed and very contrasting in their styles.

Mark W introducing Martin Levy's talk.

Mark W introducing Martin Levy’s talk.

Martin Levy gave us a succinct and interesting run-down of Blairman’s history and left us in no doubt as to their significance in shaping the wider trade as a whole. Dominic Jellinek also gave us a brief history of Bluett’s, but concentrated rather more on the firm’s surviving archive and certainly left me thinking about the enormous potential of dealer archives and the ways in which they could be investigated (something Lizzie had also made very clear in her excellent talk on the Crowther archive on day 1). Finally, Chris Jussel’s talk was delivered more or less without notes and certainly without a PowerPoint presentation. I am much less a familiar with the way the trade developed in the US and found this talk extremely enlightening.

The group discussion between some of the oral history interviewees was heated at times with plenty of opposing views. One particular comment (the person responsible will remain nameless!) about the participants representing “the faded aristocracy of the antiques trade” provoked strong reactions from some of those concerned. However this was a rare example of fraying tempers, something that in itself was quite admirable when you consider some of the trade rivalries over the years.

'In Conversation' session

‘In Conversation’ session

I think it only fair to single out Mark Westgarth for particular praise at this point for having the vision to get the project started and for the tenacity to raise the necessary funds. The conference ran remarkably smoothly throughout, despite the problem with attempting to get so many delegates to stick to a timetable (something akin to herding cats) and this is in no small part due to the time that Mark and the project advisory board put into assessing the various scenarios and looking at where problems might arise.

In conclusion, the project was an extremely useful and enjoyable experience that provided the opportunity to learn, explore the collections of an exceptional house, make professional contacts and socialise with a diverse yet friendly group of like-minded enthusiasts. A fitting end to one phase of a quite remarkable research project.

Chris Coles
Lead volunteer.

April 30, 2016

Antique Dealer Project Conference – Day Two…the Day of the Dealers!

Further to our report on the first day of the Antique Dealer conference at Temple Newsam House (see previous blog post), here is a brief summary of Day Two of the Antique Dealer project conference, which we have named ‘The Day of the Dealers’.

We wanted to focus on, and acknowledge, the knowledge and perspectives of the Antique Trade on the Antique Trade, as well as the exceptional generosity that members of the Antique Trade have given us throughout the research project. The day started with coffee/tea and welcome, as usual.

DSC08051

Conference delegates, early morning tea/coffee on arrival.

There then followed ‘the history of the antique trade’ from the dealers’ perspective, with three fascinating talks by some prominent members of the trade. Martin Levy, of H. Blairman & Sons, started proceedings with a very engaging overview of the history of Blairman. It was quite a task…Blairman’s were established in the 1880s, but Martin’s family associations in the antique trade go back to the early 19th century, and the ‘curiosity dealer’ John Coleman Isaac….so almost 200 years of trading history, condensed to 20 minutes!…But Martin pulled this off with his usual erudite charm and insight.

martin levy

Martin Levy, of H. Blairman & Sons, at the Antique dealer project conference, ‘Day of the Dealers’.

Following Martin’s talk on the history of H. Blairman & Sons we had a wonderfully detailed overview of the history of a very specialised antique dealing practice – that of the Chinese Works of Art dealers Bluett & Sons from Dominic Jellinek.  Bluett were also established in the late 19th century, and Dominic, who also comes from a family of antique dealers, worked at Bluett’s from the late 1970s, until they closed in late 1990s.

dominic j

Dominic Jellinek, at the conference, giving a talk on the history of Bluett & Son, with some black & white images from the archive of Bluett.

Bluett’s were one of the world’s leading specialist dealers in what we now call ‘Asian Works of Art’, as many of you will know. Dominic has been doing some fascinating research work on the Bluett archive for many years and his many insights into the history of Bluett’s, and the many spectacular Chinese ceramics and works of art that they sold, further illustrated the importance of antique dealer archives – something that the Antique dealer project has been very keen to highlight too – indeed, as many of you will know, our newly established Centre for the Study 0f the Art & Antiques Market at the University of Leeds is leading the way on highlighting, and demonstrating, the critical significance of the Antique Trade in cultural history – (and do keep your eye on the forthcoming activities of the Centre). As I say, the rich potential of archive material such as the Bluett archive, was brilliantly demonstrated by Dominic.

Our final formal presentation in the opening part of the ‘Day of the Dealers’ was delivered by Chris Jussel (famous, as some of you will know, as the former Presenter of the USA version of the ‘Antiques Roadshow’) – But, more importantly (for the project!) Chris is also the son of Stephen Jussel, formerly of the leading antique dealer firm of Vernay & Jussel – itself established in 1906 in New York, by Arthur Vernay. And Chris came all the way from the USA to talk to us and to participate in the Antique Dealer conference!

chris jussel

Chris Jussel, presenting his paper on ‘The Transatlantic Migration of British Antique Dealers to America, 1890-1920’.

Chris gave us a beautifully presented paper on the key role that British antique dealers played in the development of the antique trade in the USA around the turn of the late 19th and early 20th centuries. Indeed, one could almost hear a latter-day Paul Revere, exclaiming to the American public, ‘The British are coming!…the British are coming!…..’ such was the impact of these British dealers on American collecting and the development of American museums – (it’s worth remembering too that Arthur Vernay, to whom Chris Jussel’s own history in the antique trade is so inextricably entwined, and one of the leading dealers in the USA, was also an expat from Britain). Chris outlined the significance of the impact of the arrival of British antique dealers in New York – C. Charles (Joseph Duveen’s brother, who was paid £5,000 a year by Duveen not to use the family name – hence ‘C.Charles of London’). We also heard about Stair & Andrew, Arthur Vernay himself, and many other British dealers besides.

chris j co

Chris Jussel at the Antique Dealer conference.

Chris’ talk not only provided us with fascinating insights into the practices of the antique trade and the role and impact of these important transatlantic relationships, but also highlighted the extraordinary future potential of continuing the research into this key dynamic…… as Chris himself acknowledged, ‘there’s so much more to do!’.

We certainly needed to continue the discussions that the 3 key perspectives of Martin, Dominic and Chris gave us – and an animated chat over tea and coffee followed!

 

Our next session continued the theme of the ‘Day of the Dealers’, and here we had a group of our Oral History interviewees ‘In Conversation’ – in conversation with themselves, and with the conference delegates. Our dealer interviewees were composed of a selection of those dealers that had participated in the Oral History research as part of the Antique Dealers project –  Gary Baxter (of H.C. Baxter & Sons); Robin Butler (of Robin Butler Antiques); Lennox Cato (of Lennox Cato Antiques); Georgina Gough (daughter of R.A. Lee); Dominic Jellinek (of Bluett & Son); Chris Jussel (of Vernay & Jussel); Martin Levy (of H. Blairman & Sons); Tony Lumb (of Charles Lumb & Sons), and Jerome Phillips (of Phillips of Hitchin).  We wondered what such a gathering of dealers could be called?…Martin, and many others called out the obvious! – ‘A Ring of Dealers!’….

in conversation

The ‘In Conversation’ session at the Antique Dealers Conference.

 

 

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‘A Ring of Dealers’ at the ‘In Conversation’ session at the Antique Dealers Conference at Temple Newsam House, Leeds.

The ‘In Conversation’ session proved to be very successful, with lots of animated discussion on the history of and changes to the antique trade, especially as it was reflected in the recent memories of the dealers present –  and there were some interesting perspectives on the future of the antique trade…Thank you again to all our Oral History interviewees for participating!

Following yet another lunch, the conference got down to full particpatory mode, with our infamous ‘Sandpits’!…this final session of the conference had been designed to ensure that everyone attending the conference had the opportunity to contribute to the debates on the history of the antique trade in Britain – and we certainly had some fascinating contributions, reflections and perspectives.

The ‘Sandpits’ were themed around some of the main issues that have either been part of the research questions that have driven the Antique Dealers research project, or had emerged as a result of the on-going discussions.  We had 4 facilitated group discussions, 2 before a tea/coffee break, and 2 after the break. Participants were divided into each of the 4 groups, and each group had a facilitator (thanks again to those that stepped forward to lead a group!…) and a ‘scribe’ to capture the discussion – we also recorded the discussions on our digital audio recorders, with the permission of all participants, as part of the further research for the project – thank you again to everyone for being so generous!

Our groups were themed – Group One had the theme of ‘So what, exactly, is an antique?’, Group Two’s theme was ‘The end of Antique Furniture?’; the theme of Group Three was ‘For the Love of Art, or Money?….the Antique Trade and Museums’, and finally Group Four’s theme was ‘A Profession or a pastime?….the social geography of antique dealing’.  We had an extraordinary series of rich responses from all of the groups, with much discussion and debate – each of the groups also fed back to the main conference with summaries of the key elements of their respective group discussions…so everyone at the conference had a chance to hear what other ‘Sandpits’ had debated and discussed.  We are presently composing a summary of all of the discussions, which will be available via the Antique Dealers project websites – see keep your eyes open!

Finally, on behalf of everyone involved in the Antique Dealers Research Project Conference, I’d like to say a BIG THANK YOU to everyone at the conference – it was an amazing, if slightly exhausting 2 days!

One final photograph (thank you again to Reinhold for all the photos that he took…all 184 of them!)….Here’s most, not all, of the conference delegates…in the Great Hall at Temple Newsam House, day ONE.

Mark.

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Antique Dealers Conference, Temple Newsam House, April 2016.

April 24, 2016

Antique Dealer Project Conference – Day One summary & photos…

The Antique Dealer project conference, which took place last week, seemed to go very well – everyone seemed to enjoyed themselves anyway…Thank you to everyone that came along and participated – there was a real community spirit!…I’m posting here a summary of DAY ONE, and will post DAY TWO separately…

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Some Conference Delegates arriving at Temple Newsam House.

It was an exhausting programme of talks, tours, object and archive sessions, oral history ‘in conversation’ sessions and ‘sandpits’!….but we had lots of refreshments (and wine and canapés) to keep us all going!

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Alex Puddy, Frances Allitt, Mark Bridge, Andrew Jenkins, Tim Corfield, at the Conference.

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Dominic Jellinek and Jerome Phillips at the conference.

We began the day with an opening address from Mark Bridge, editor-at-large from the Antiques Trade Gazette, who reflected on his experience of 35 years at the ATG.  Mark provided a stimulating start to the proceedings with beautifully observed summaries of the changes to the antique trade through the pages of the ATG. Following Mark Bridge, yours truly gave a (relatively lucid) overview of the project so far – there was an awful lot to say about the research activities over the 32 months of the project, condensed to 30 minutes!…But I gave it a shot anyway – here’s the spectacular venue too – the famous Picture Gallery at Temple Newsam House, with some of the conference delegates…

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Mark W with the conference delegates in the Picture Gallery at Temple Newsam House

And then Eleanor Quince (Co-Investigator) from the University of Southampton, presented a brilliant summary of the 50 hours of oral history recordings we have done so far – an edited version of Eleanor’s talk will be posted into the Antique Dealer project website – as an introduction to the Oral History Pages on the site, so do take a look!

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One of the tea breaks at the conference, in the Great Hall at Temple Newsam House.

After a break for tea, coffee and amazingly tasty cookies (thank you to Salts Catering!), Lizzy Jamieson, our project research fellow, gave a fascinating presentation on just one of the many antique dealer archives that we have been investigating – that of Crowther & Sons, the well-known architectural salvage dealers, trading in various locations in South West London.

Following a delicious lunch, we began our ‘Hidden Histories’ tours of Temple Newsam House – the aim here was to ‘re-wire’ the museum by focusing on the objects in the collections and their history as objects that had entered the museum through the auspices of the antique trade. We had four discrete, but related tours, all led by a combination of curators, academics, and, importantly for the project, Antique Dealers – for each tour we highlighted key museum objects, and rather than doing the more conventional museum tours that focus on the art historical aspects of the museum objects, we directed attention to the art market history of the objects (quite a contentious thing to do in a museum of course!…).

And so, the history of famous Library Writing Table, made for Harewood House by Thomas Chippendale in the 1770s, was re-routed through the history of the art market – here the object was part of a complex network of collectors, philanthropists, curators and dealers (specifically the famous London antique dealers, H. Blairman & Sons) in the mid 1960s. The table was sold at Christie’s, London, on 1st July 1965 (lot 57) and purchased on behalf of Leeds Museums & Galleries by George Levy of H. Blairman & Sons for the then world record price for a piece of English Furniture, at 41,000 guineas (a guinea was/is £1 & 1 shilling) or £43,050.

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Library Writing Table, c.1770, by Thomas Chippendale, made for Harewood House, Yorkshire. Acquired for Temple Newsam House in 1965, through Blairman & Sons, for £43,050. Photograph courtesy of Leeds Museums & Galleries.

Part of the objectives of the Antique Dealer research project has been to foreground the art market history of objects in public museums, and to further reflect on the displacement of these highly significant stories from museum histories….

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Ian Fraser, conservator at Temple Newsam House, demonstrates the complex series of secret drawers in the famous ‘Murray Cabinet’ (made by John Channon in c.1750) to some of the conference delegates.

After the Tours we had some more conventional objects sessions, where some interesting objects at temple Newsam were the focus of small group, specialist-led, sessions; including the famous ‘Murray Cabinet’, made c.1750 by John Channon – but also, and importantly as far as the research project is concerned, sold to Temple Newsam in 1986 through the English Furniture specialists Norman Adams Limited, London.

After the objects sessions we arranged for all of the conference delegates to see some of the amazing antique dealer archives and related ephemera that have been donated to the Brotherton Library Special Collections at the University of Leeds, which were on display in the Still Room at Temple Newsam. We had displays of archive material from Phillips of Hitchin (and with Jerome Phillips himself on hand to explain the material!), as well as archive material from Roger Warner (with Sue Ashton (and Hugo, her husband) the daughter of Roger Warner on hand to comment on the archive material) – as well as some archive from Charles Lumb & Sons, that Tony and Mary Lumb very kindly brought over to the conference, and again were on hand to explain the documents!

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Mark W, Nick Pearce, Mingyuan Hu, Mary Lumb and Nicolas Oddy, exploring the antique dealer archives.

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Various discussions in the ‘archive session’ in the Still Room at Temple Newsam House. In the foreground, John Hudson, Tony Lumb and Robin Butler.

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Lennox Cato & Mark Dodgson.

We also had some archive material dating from c.1915 from Stair & Andrew, the early 20th century antique dealers, as well as a wide range of antique dealer ephemera – dealer catalogues from Charles Duveen, A.W. Little, Edgar Gorer, S. Richards, Partridge & Co etc etc….. The archive session proved to be a huge success I think, judging from the many animated discussions in the Still Room.

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Caroline McCaffrey & Deborah Jussel

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Mo Westgarth & Eleanor Quince

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Francis Allitt & Chris Jussel

And so the first day ended with our wine reception in the Great Hall – with lots of chatting and etc –

We also had a very generous speech from Marco Forgione, the CEO of the British Antique Dealers’ Association.

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Marco Forgione, CEO of BADA at the Conference reception.

The first day of the conference ended with the playing of the spectacular 18th century Organ Clock, made by George Pyke in the 1740s – which fascinated the conference audience!

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James Lomax, explaining the George Pike organ clock to the conference delegates.

I’ll post a blog about an equally fascinating DAY TWO of the conference shortly – the DAY OF THE DEALERS!

Mark

 

 

April 9, 2016

Project Conference

We are on the final straight for the AHRC Antique Dealers project Conference – which takes place at Temple Newsam House, Leeds on Thursday 14th & Friday 15th April – this coming week!

project posterWe are also very pleased to announce that the British Antique Dealers’ Association (BADA) have very generously sponsored the conference – Print The BADA are sending their Chief Executive, Marco Forgione, and their Secretary General, Mark Dodgson, to the conference, as a further demonstration of their commitment and support to the project – thank you BADA!

Our conference preparations are going well, with all of the Temple Newsam House tours now finalised – we are taking an unusual (for a museum anyway) tour through the spectacular museum objects on display at Temple Newsam – the narrative will be objects that have entered the collections via the Antiques Trade, or through the auspices of Antique Dealers – so that’s just about every object at TN of course, but we are highlighting particular objects and their history in the antique trade as part of the tours.  The tours will be led by museum curators, and antique dealers, so we hope that there will be lots of things to discuss!

We are also showing various antique dealer related archives, and ephemera associated with the Antique Trade as part of the activities on the first day of the conference – much of the material is exceptionally rare. And as well as all these tours, and behind the scenes activities, we are also having a wine reception in the early evening, with very talented pianist playing the historic Broadwood piano in the Great Hall at TN…what’s not to like!

And on the Friday we have some leading Antique Dealers talking about the history of their dealerships, and some of our Oral History Interviewees, ‘In Conversation’ – as well as some ‘Sandpits’ at the end of the conference, where the whole conference can get involved in discussing the issues raised and history of the antique trade – we hope that the conference will be a fully immersive and participatory event!

There are still a few places left for the conference if you are thinking of attending – you can book via the weblinks in the Antique Dealer project websites.

We very much look forward to welcoming everyone to Temple Newsam!

Mark

Home Subjects

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A research project investigating the history of the antiques trade in Britain in the 19th & 20th centuries

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'Museum Studies Now?' is an event which aims to discuss and debate museum and heritage studies education provision.

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art writing * art works * art market

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A research project investigating the history of the antiques trade in Britain in the 19th & 20th centuries